These Green Veins Passed
Through A Bed Of Reddish, Hard Rock, Glistening With Minute
Crystals, Which I Believe To Have Been Copper.
There is no doubt
that much might be done were the mineral wealth of this country
thoroughly investigated.
The day following our arrival was passed in receiving visits from
a number of Abyssinians, and the head men of Mek Nimmur. There
was a mixture of people, as many of the Jaleen Arabs who had
committed some crime in the Egyptian territory, had fled across
the country and joined the exiled chief of their tribe.
Altogether, the society in this district was not creme de la
creme, as Mek Nimmur's territory was an asylum for all the
blackguards of the adjoining countries, who were attracted by the
excitement and lawlessness of continual border warfare. The troop
that we had seen at Ombrega returned with a hundred and two head
of camels, that they had stolen from the west bank of the Atbara.
Mounted upon hygeens, Mek Nimmur's irregulars thought nothing of
marching sixty miles in one day; thus their attack and retreat
were equally sudden and unexpected.
I had a quantity of rhinoceros hide in pieces of the size
required for shields; these were much prized in this fighting
country, and I presented them to a number of head men who had
honoured us with a visit. I begged them to guide two of my people
to the presence of Mek Nimmur, with a preliminary message. This
they promised to perform. Accordingly, I sent Taher Noor and
Bacheet on horseback, with a most polite message, accompanied
with my card in an envelope, and a small parcel, carefully
wrapped in four or five different papers; this contained a very
beautiful Persian lance-head, of polished steel inlaid with gold,
that I had formerly purchased at Constantinople.
During their absence, we were inundated with visitors, the
Abyssinians, in their tight pantaloons, contrasting strongly with
the loosely-clad Arabs. In about an hour, my messengers returned,
accompanied by two men on horseback, with a hospitable message
fronm Mek Nimmur, and an invitation to pay him a visit at his own
residence. I had some trifling present ready for everybody of
note, and, as Taher Noor and my people had already explained all
they knew concerning us, Mek Nimmur's suspicions had entirely
vanished.
As we were conversing with Mek Nimmur's messengers through the
medium of Taher Noor, who knew their language, our attention was
attracted by the arrival of a tremendous swell who at a distance
I thought must be Mek Nimmur himself. A snow-white mule carried
an equally snow-white person, whose tight white pantaloons looked
as though he had forgotten his trousers, and had mounted in his
drawers. He carried a large umbrella to shade his complexion; a
pair of handsome silver-mounted pistols were arranged upon his
saddle, and a silver-hilted curved sword, of the peculiar
Abyssinian form, hung by his side. This grand personage was
followed by an attendant, also mounted upon a mule, while several
men on foot accompanied them, one of whom carried his lance and
shield. Upon a near approach, he immediately dismounted, and
advanced towards us, bowing in a most foppish manner, while his
attendant followed him on foot with an enormous violin, which he
immediately handed to him. This fiddle was very peculiar in
shape, being a square, with an exceedingly long neck extending
from one corner; upon this was stretched a solitary string, and
the bow was very short and much bent. This was an Abyssinian
Paganini. He was a professional minstrel of the highest grade,
who had been sent by Mek Nimmur to welcome us on our arrival.
These musicians are very similar to the minstrels of ancient
times; they attend at public rejoicings, and at births, deaths,
and marriages of great personages, upon which occasions they
extemporize their songs according to circumstances. My hunting in
the Base country formed his theme, and for at least an hour he
sang of my deeds, in an extremely loud and disagreeable voice,
while he accompanied himself upon his fiddle, which he held
downwards like a violoncello: during the whole of his song he
continued in movement, marching with a sliding step to the front,
and gliding to the right and left in a manner that, if intended
to be graceful, was extremely comic. The substance of this
minstrelsy was explained to me by Taher Noor, who listened
eagerly to the words, which he translated with evident
satisfaction. Of course, like all minstrels, he was an absurd
flatterer, and, having gathered a few facts for his theme, he
wandered slightly from the truth in his poetical description of
my deeds.
He sang of me as though I had been Richard Coeur de Lion, and
recounted, before an admiring throng of listeners, how "I had
wandered with a young wife from my own distant country to fight
the terrible Base; how I had slain them in single combat; and how
elephants and lions were struck down like lambs and kids by my
hands; that during my absence in the hunt, my wife had been
carried off by the Base; that I had, on my return to my pillaged
camp, galloped off in chase, and, overtaking the enemy, hundreds
had fallen by my rifle and sword, and I had liberated and
recovered the lady, who now had arrived safe with her lord in the
country of the great Mek Nimmur," &c. &c. &c.
This was all very pretty, no doubt, and as true as most poetical
and musical descriptions, but I felt certain that there must be
something to pay for this flattering entertainment; if you are
considered to be a great man, a present is invariably expected in
proportion to your importance. I suggested to Taher Noor that I
must give him a couple of dollars. "What!" said Taher Noor, "a
couple of dollars! Impossible! a musician of his standing it
accustomed to receive thirty and forty dollars from great people
for so beautiful and honourable a song."
This was somewhat startling; I began to reflect upon the price of
a box at Her Majesty's Theatre in London; but there I was not the
hero of the opera; this minstrel combined the whole affair in a
most simple manner; he was Verdi, Costa, and orchestra all in
one; he was a thorough Macaulay as historian, therefore I had to
pay the composer as well as the fiddler.
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