In
spite of the huge numbers, which at first sight look a little
equivocal, nothing in the least degree reprehensible can happen among
these granites; which are, moreover, in a single piece, without the
least crack or hole into which the straggler could contrive to crawl.
No. The figures and the crosses denote simple blocks of stones,
covered with hieroglyphics, and correspond to a chaste catalogue where
each Pharaonic inscription may be found translated in the most
becoming language.
This ingenious ticketing of the stones of the desert is due to the
initiative of an English Egyptologist.
CHAPTER XX
THE PASSING OF PHILAE
Leaving Assouan - as soon as we have passed the last house - we come at
once upon the desert. And now the night is falling, a cold February
night, under a strange, copper-coloured sky.
Incontestably it is the desert, with its chaos of granite and sand,
its warm tones and reddish colour. But there are telegraph poles and
the lines of a railroad, which traverse it in company, and disappear
in the empty horizon. And then too how paradoxical and ridiculous it
seems to be travelling here on full security and in a carriage! (The
most commonplace of hackney-carriages, which I hired by the hour on
the quay of Assouan.) A desert indeed which preserves still its
aspects of reality, but has become domesticated and tamed for the use
of the tourists and the ladies.
First, immense cemeteries surrounded by sand at the beginning of these
quasi-solitudes. Such old cemeteries of every epoch of history. The
thousand little cupolas of saints of Islam are crumbling side by side
with the Christian obelisks of the first centuries; and, underneath,
the Pharaonic hypogea. In the twilight, all these ruins of the dead,
all the scattered blocks of granite are mingled in mournful groupings,
outlined in fantastic silhouette against the pale copper of the sky;
broken arches, tilted domes, and rocks that rise up like tall
phantoms.
Farther on, when we have left behind this region of tombs, the
granites alone litter the expanse of sand, granites to which the usury
of centuries has given the form of huge round beasts. In places they
have been thrown one upon the other and make great heaps of monsters.
Elsewhere they lie alone among the sands, as if lost in the midst of
the infinitude of some dead sea-shore. The rails and the telegraph
poles have disappeared; by the magic of twilight everything is become
grand again, beneath one of those evening skies of Egypt which, in
winter, resemble cold cupolas of metal. And now it is that you feel
yourself verily on the threshold of the profound desolations of
Arabia, from which no barrier, after all separates you.
