Egypt (La Mort De Philae) by Pierre Loti















































 -  Will they
remain inert and rigid, all these embalmed bodies, once left to
themselves, who pretended to be so quiet - Page 11
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Will They Remain Inert And Rigid, All These Embalmed Bodies, Once Left To Themselves, Who Pretended To Be So Quiet Because We Were There?

What exchanges of old human fluid will recommence, as who can doubt they do each night between one coffin and another.

Formerly these kings and queens, in their anxiety as to the future of their mummy, had foreseen violation, pillage and scattering amongst the sands of the desert, but never this: that they would be reunited one day, almost all unveiled, so near to one another under panes of glass. Those who governed Egypt in the lost centuries and were never known except by history, by the papyri inscribed with hieroglyphics, brought thus together, how many things will they have to say to one another, how many ardent questions to ask about their loves, about their crimes! As soon as we shall have departed, nay, as soon as our lantern, at the end of the long galleries, shall seem no more than a foolish, vanishing spot of fire, will not the "forms" of whom the attendants are so afraid, will they not start their nightly rumblings and in their hollow mummy voices, whisper, with difficulty, words? . . .

Heavens! How dark it is! Yet our lantern has not gone out. But it seems to grow darker and darker. And at night, when all is shut up, how one smells the odour of the oils in which the shrouds are saturated, and, more intolerable still, the sickly stealthy stench, almost, of all these dead bodies! . . .

As I traverse the obscurity of these endless halls, a vague instinct of self-preservation induces me to turn back again, and look behind. And it seems to me that already the woman with the baby is slowly raising herself, with a thousand precautions and stratagems, her head still completely covered. While farther down, that dishevelled hair. . . . Oh! I can see her well, sitting up with a sudden jerk, the ghoul with the enamel eyes, the lady Nsitanebashru!

CHAPTER V

A CENTRE OF ISLAM

"To learn is the duty of every Moslem." Verse from the Hadith or Words of the Prophet.

In a narrow street, hidden in the midst of the most ancient Arab quarters of Cairo, in the very heat of a close labyrinth mysteriously shady, an exquisite doorway opens into a wide space bathed in sunshine; a doorway formed of two elaborate arches, and surmounted by a high frontal on which intertwined arabesques form wonderful rosework, and holy writings are enscrolled with the most ingenious complications.

It is the entrance to El-Azhar, a venerable place in Islam, whence have issued for nearly a thousand years the generations of priests and doctors charged with the propagation of the word of the Prophet amongst the nations, from the Mohreb to the Arabian Sea, passing through the great deserts. About the end of our tenth century the glorious Fatimee Caliphs built this immense assemblage of arches and columns, which became the seat of the most renowned Moslem university in the world. And since then successive sovereigns of Egypt have vied with one another in perfecting and enlarging it, adding new halls, new galleries, new minarets, till they have made of El-Azhar almost a town within a town.

*****

"He who seeks instruction is more loved of God than he who fights in a holy war." A verse from the Hadith.

Eleven o'clock on a day of burning sunshine and dazzling light. El- Azhar still vibrates with the murmur of many voices, although the lessons of the morning are nearly finished.

Once past the threshold of the double ornamented door we enter the courtyard, at this moment empty as the desert and dazzling with sunshine. Beyond, quite open, the mosque spreads out its endless arcades, which are continued and repeated till they are lost in the gloom of the far interior, and in this dim place, with its perplexing depths, innumerable people in turbans, sitting in a close crowd, are singing, or rather chanting, in a low voice, and marking time as it were to their declamation by a slight rhythmic swaying from the hips. They are the ten thousand students come from all parts of the world to absorb the changeless doctrine of El-Azhar.

At the first view it is difficult to distinguish them, for they are far down in the shadow, and out here we are almost blinded by the sun. In little attentive groups of from ten to twenty, seated on mats around a grave professor, they docilely repeat their lessons, which in the course of centuries have grown old without changing like Islam itself. And we wonder how those in the circles down there, in the aisles at the bottom where the daylight scarcely penetrates, can see to read the old difficult writings in the pages of their books.

In any case, let us not trouble them - as so many tourists nowadays do not hesitate to do; we will enter a little later, when the studies of the morning are over.

This court, upon which the sun of the forenoon now pours its white fire, is an enclosure severely and magnificently Arab; it has isolated us suddenly from time and things; it must lend to the Moslem prayer what formerly our Gothic churches lent to the Christian. It is vast as a tournament list; confined on one side by the mosque itself, and on the others by a high wall which effectively separates it from the outer world. The walls are of a reddish hue, burnt by centuries of sun into the colour of raw sienna or of bloodstone. At the bottom they are straight, simple, a little forbidding in their austerity, but their summits are elaborately ornamented and crowned with battlements, which show in profile against the sky a long series of denticulated stonework. And over this sort of reddish fretwork of the top, which seems as if it were there as a frame to the deep blue vault above us, we see rising up distractedly all the minarets of the neighbourhood; and these minarets are red-coloured too, redder even than the jealous walls, and are decorated with arabesques, pierced by the daylight and complicated with aerial galleries.

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