The Land Of Little Rain By Mary Austin






















































































































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You shelter on the lee of some strong pine with shut-winged
butterflies and merry, fiddling creatures of the wood - Page 32
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You Shelter On The Lee Of Some Strong Pine With Shut-Winged Butterflies And Merry, Fiddling Creatures Of The Wood.

Runnels of rain water from the glacier-slips swirl through the pine needles into rivulets; the streams froth and rise in their banks.

The sky is white with cloud; the sky is gray with rain; the sky is clear. The summer showers leave no wake.

Such as these follow each other day by day for weeks in August weather. Sometimes they chill suddenly into wet snow that packs about the lake gardens clear to the blossom frills, and melts away harmlessly. Sometimes one has the good fortune from a heather-grown headland to watch a rain-cloud forming in mid-air. Out over meadow or lake region begins a little darkling of the sky,--no cloud, no wind, just a smokiness such as spirits materialize from in witch stories.

It rays out and draws to it some floating films from secret canons. Rain begins, "slow dropping veil of thinnest lawn;" a wind comes up and drives the formless thing across a meadow, or a dull lake pitted by the glancing drops, dissolving as it drives. Such rains relieve like tears.

The same season brings the rains that have work to do, ploughing storms that alter the face of things. These come with thunder and the play of live fire along the rocks. They come with great winds that try the pines for their work upon the seas and strike out the unfit. They shake down avalanches of splinters from sky-line pinnacles and raise up sudden floods like battle fronts in the canons against towns, trees, and boulders. They would be kind if they could, but have more important matters. Such storms, called cloud-bursts by the country folk, are not rain, rather the spillings of Thor's cup, jarred by the Thunderer. After such a one the water that comes up in the village hydrants miles away is white with forced bubbles from the wind-tormented streams.

All that storms do to the face of the earth you may read in the geographies, but not what they do to our contemporaries. I remember one night of thunderous rain made unendurably mournful by the houseless cry of a cougar whose lair, and perhaps his family, had been buried under a slide of broken boulders on the slope of Kearsarge. We had heard the heavy detonation of the slide about the hour of the alpenglow, a pale rosy interval in a darkling air, and judged he must have come from hunting to the ruined cliff and paced the night out before it, crying a very human woe. I remember, too, in that same season of storms, a lake made milky white for days, and crowded out of its bed by clay washed into it by a fury of rain, with the trout floating in it belly up, stunned by the shock of the sudden flood. But there were trout enough for what was left of the lake next year and the beginning of a meadow about its upper rim. What taxed me most in the wreck of one of my favorite canons by cloud-burst was to see a bobcat mother mouthing her drowned kittens in the ruined lair built in the wash, far above the limit of accustomed waters, but not far enough for the unexpected. After a time you get the point of view of gods about these things to save you from being too pitiful.

The great snows that come at the beginning of winter, before there is yet any snow except the perpetual high banks, are best worth while to watch. These come often before the late bloomers are gone and while the migratory birds are still in the piney woods. Down in the valley you see little but the flocking of blackbirds in the streets, or the low flight of mallards over the tulares, and the gathering of clouds behind Williamson. First there is a waiting stillness in the wood; the pine-trees creak although there is no wind, the sky glowers, the firs rock by the water borders. The noise of the creek rises insistently and falls off a full note like a child abashed by sudden silence in the room.

This changing of the stream-tone following tardily the changes of the sun on melting snows is most meaningful of wood notes. After it runs a little trumpeter wind to cry the wild creatures to their holes. Sometimes the warning hangs in the air for days with increasing stillness. Only Clark's crow and the strident jays make light of it; only they can afford to. The cattle get down to the foothills and ground-inhabiting creatures make fast their doors. It grows chill, blind clouds fumble in the canons; there will be a roll of thunder, perhaps, or a flurry of rain, but mostly the snow is born in the air with quietness and the sense of strong white pinions softly stirred. It increases, is wet and clogging, and makes a white night of midday.

There is seldom any wind with first snows, more often rain, but later, when there is already a smooth foot or two over all the slopes, the drifts begin. The late snows are fine and dry, mere ice granules at the wind's will. Keen mornings after a storm they are blown out in wreaths and banners from the high ridges sifting into the canons.

Once in a year or so we have a "big snow." The cloud tents are widened out to shut in the valley and an outlying range or two and are drawn tight against the sun. Such a storm begins warm, with a dry white mist that fills and fills between the ridges, and the air is thick with formless groaning. Now for days you get no hint of the neighboring ranges until the snows begin to lighten and some shouldering peak lifts through a rent. Mornings after the heavy snows are steely blue, two-edged with cold, divinely fresh and still, and these are times to go up to the pine borders.

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