According To The Accounts Of The Natives, And Of The Most Intelligent Missionaries, These Symbolic Signs Resemble Perfectly The Characters We Saw A Hundred Leagues More To The North, Near Caycara, Opposite The Mouth Of The Rio Apure.

(See Chapter 2.18 above.)

In advancing from the plains of the Cassiquiare and the Conorichite, one hundred and forty leagues further eastward, between the sources of the Rio Blanco and the Rio Essequibo, we also meet with rocks and symbolical figures. I have lately verified this curious fact, which is recorded in the journal of the traveller Hortsman, who went up the Rupunuvini, one of the tributary streams of the Essequibo. Where this river, full of small cascades, winds between the mountains of Macarana, he found, before he reached lake Amucu, rocks covered with figures, or (as he says in Portuguese) with varias letras. We must not take this word letters in its real signification. We were also shewn, near the rock Culimacari, on the banks of the Cassiquiare, and at the port of Caycara in the Lower Orinoco, traces which were believed to be regular characters. They were however only misshapen figures, representing the heavenly bodies, together with tigers, crocodiles, boas, and instruments used for making the flour of cassava. It was impossible to recognize in these painted rocks* (the name by which the natives denote those masses loaded with figures) any symmetrical arrangement, or characters with regular spaces. (* In Tamanac tepumereme. (Tepu, a stone, rock; as in Mexican, tetl, a stone, and tepetl, a mountain; in Turco-Tatarian, tepe.) The Spanish Americans also call the rock covered with sculptured figures, piedras pintadas; those for instance, which are found on the summit of the Paramo of Guanacas, in New Grenada, and which recall to mind the tepumereme of the Orinoco, the Cassiquiare, and the Rupunuvini.) The traces discovered in the mountains of Uruana, by the missionary Fray Ramon Bueno, approach nearer to alphabetical writing; but are nevertheless very doubtful.

Whatever may be the meaning of these figures, and with whatever view they were traced upon granite, they merit the examination of those who direct their attention to the philosophic history of our species. In travelling from the coast of Caracas towards the equator, we are at first led to believe that monuments of this kind are peculiar to the mountain-chain of Encaramada; they are found at the port of Sedeno, near Caycara,* (* In the Mountains of the Tyrant, Cerros del Tirano.) at San Rafael del Capuchino, opposite Cabruta, and in almost every place where the granitic rock pierces the soil, in the savannah which extends from the Cerro Curiquima towards the banks of the Caura. The nations of the Tamanac race, the ancient inhabitants of those countries, have a local mythology, and traditions connected with these sculptured rocks. Amalivaca, the father of the Tamanacs, that is, the creator of the human race (for every nation regards itself as the root of all other nations), arrived in a bark, at the time of the great inundation, which is called the age of water,* when the billows of the ocean broke against the mountains of Encaramada in the interior of the land. (* The Atonatiuh of the Mexicans, the fourth age, the fourth regeneration of the world.) All mankind, or, to speak more correctly, all the Tamanacs, were drowned, with the exception of one man and one woman, who saved themselves on a mountain near the banks of the Asiveru, called Cuchivero by the Spaniards. This mountain is the Ararat of the Aramean or Semitic nations, and the Tlaloc or Colhuacan of the Mexicans. Amalivaca, sailing in his bark, engraved the figures of the moon and the sun on the Painted Rock (Tepumereme) of Encaramada. Some blocks of granite piled upon one another, and forming a kind of cavern, are still called the house or dwelling of the great forefather of the Tamanacs. The natives show also a large stone near this cavern, in the plains of Maita, which they say was an instrument of music, the drum of Amalivaca. We must here observe, that this heroic personage had a brother, Vochi, who helped him to give the surface of the earth its present form. The Tamanacs relate that the two brothers, in their system of perfectibility, sought, at first, to arrange the Orinoco in such a manner, that the current of the water could always be followed either going down or going up the river. They hoped by this means to spare men trouble in navigating rivers; but, however great the power of these regenerators of the world, they could never contrive to give a double slope to the Orinoco, and were compelled to relinquish this singular plan. Amalivaca had daughters, who had a decided taste for travelling. The tradition states, doubtless with a figurative meaning, that he broke their legs, to render them sedentary, and force them to people the land of the Tamanacs. After having regulated everything in America, on that side of the great water, Amalivaca again embarked, and returned to the other shore, to the same place from whence he came. Since the natives have seen the missionaries arrive, they imagine that Europe is this other shore; and one of them inquired with great simplicity of Father Gili, whether he had there seen the great Amalivaca, the father of the Tamanacs, who had covered the rocks with symbolic figures.

These notions of a great convulsion of nature; of two human beings saved on the summit of a mountain, and casting behind them the fruits of the mauritia palm-tree, to repeople the earth; of that national divinity, Amalivaca, who arrived by water from a distant land, who prescribed laws to nature, and forced the nations to renounce their migrations; these various features of a very ancient system of belief, are well worthy of attention. What the Tamanacs, and the tribes whose languages are analogous to the Tamanac tongue, now relate to us, they have no doubt learned from other people, who inhabited before them the same regions.

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