The Men, Young And Old, Form A Circle, Holding Each Others' Hands; And Turn Sometimes To The Right, Sometimes To The Left, For Whole Hours, With Silent Gravity. Most Frequently The Dancers Themselves Are The Musicians.

Feeble sounds, drawn from a series of reeds of different lengths, form a slow and plaintive accompaniment.

The first dancer, to mark the time, bends both knees in a kind of cadence. Sometimes they all make a pause in their places, and execute little oscillatory movements, bending the body from one side to the other. The reeds ranged in a line, and fastened together, resemble the Pan's pipes, as we find them represented in the bacchanalian processions on Grecian vases. To unite reeds of different lengths, and make them sound in succession by passing them before the lips, is a simple idea, and has naturally presented itself to every nation. We were surprised to see with what promptitude the young Indians constructed and tuned these pipes, when they found reeds on the bank of the river. Uncivilized men, in every zone, make great use of these gramina with high stalks. The Greeks, with truth, said that reeds had contributed to subjugate nations by furnishing arrows, to soften men's manners by the charm of music, and to unfold their understanding by affording the first instruments for tracing letters. These different uses of reeds mark in some sort three different periods in the life of nations. We must admit that the tribes of the Orinoco are in the first stage of dawning civilization. The reed serves them only as an instrument of war and of hunting; and the Pan's pipes, of which we have spoken, have not yet, on those distant shores, yielded sounds capable of awakening mild and humane feelings.

We found in the hut allotted for the festival, several vegetable productions which the Indians had brought from the mountains of Guanaya, and which engaged our attention. I shall only here mention the fruit of the juvia, reeds of a prodigious length, and shirts made of the bark of marima. The almendron, or juvia, one of the most majestic trees of the forests of the New World, was almost unknown before our visit to the Rio Negro. It begins to be found after a journey of four days east of Esmeralda, between the Padamo and Ocamo, at the foot of the Cerro Mapaya, on the right bank of the Orinoco. It is still more abundant on the left bank, at the Cerro Guanaja, between the Rio Amaguaca and the Gehette. The inhabitants of Esmeralda assured us, that in advancing above the Gehette and the Chiguire, the juvia and cacao-trees become so common that the wild Indians (the Guaicas and Guaharibos) do not disturb the Indians of the missions when gathering in their harvests. They do not envy them the productions with which nature has enriched their own soil. Scarcely any attempt has been made to propagate the almendrones in the settlements of the Upper Orinoco.

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