Are There Not Trout In The
Streams, Gum Exuding From The Spruce, Sugar In The Maples, Honey In
The Hollow Trees, Fur On The Sables, Warmth In Hickory Logs?
Will
not a few days' planting and scratching in the "open" yield potatoes
and rye?
And, if there is steadier diet needed than venison and
bear, is the pig an expensive animal? If Old Phelps bowed to the
prejudice or fashion of his age (since we have come out of the
tertiary state of things), and reared a family, built a frame house
in a secluded nook by a cold spring, planted about it some apple
trees and a rudimentary garden, and installed a group of flaming
sunflowers by the door, I am convinced that it was a concession that
did not touch his radical character; that is to say, it did not
impair his reluctance to split oven-wood.
He was a true citizen of the wilderness. Thoreau would have liked
him, as he liked Indians and woodchucks, and the smell of pine
forests; and, if Old Phelps had seen Thoreau, he would probably have
said to him, "Why on airth, Mr. Thoreau, don't you live accordin' to
your preachin'?" You might be misled by the shaggy suggestion of Old
Phelps's given name - Orson - into the notion that he was a mighty
hunter, with the fierce spirit of the Berserkers in his veins.
Nothing could be farther from the truth. The hirsute and grisly
sound of Orson expresses only his entire affinity with the untamed
and the natural, an uncouth but gentle passion for the freedom and
wildness of the forest. Orson Phelps has only those unconventional
and humorous qualities of the bear which make the animal so beloved
in literature; and one does not think of Old Phelps so much as a
lover of nature, - to use the sentimental slang of the period, - as a
part of nature itself.
His appearance at the time when as a "guide" he began to come into
public notice fostered this impression, - a sturdy figure with long
body and short legs, clad in a woolen shirt and butternut-colored
trousers repaired to the point of picturesqueness, his head
surmounted by a limp, light-brown felt hat, frayed away at the top,
so that his yellowish hair grew out of it like some nameless fern out
of a pot. His tawny hair was long and tangled, matted now many years
past the possibility of being entered by a comb.
His features were small and delicate, and set in the frame of a
reddish beard, the razor having mowed away a clearing about the
sensitive mouth, which was not seldom wreathed with a childlike and
charming smile. Out of this hirsute environment looked the small
gray eyes, set near together; eyes keen to observe, and quick to
express change of thought; eyes that made you believe instinct can
grow into philosophic judgment. His feet and hands were of
aristocratic smallness, although the latter were not worn away by
ablutions; in fact, they assisted his toilet to give you the
impression that here was a man who had just come out of the ground,
- a real son of the soil, whose appearance was partially explained by
his humorous relation to-soap. "Soap is a thing," he said, "that I
hain't no kinder use for." His clothes seemed to have been put on
him once for all, like the bark of a tree, a long time ago. The
observant stranger was sure to be puzzled by the contrast of this
realistic and uncouth exterior with the internal fineness, amounting
to refinement and culture, that shone through it all. What communion
had supplied the place of our artificial breeding to this man?
Perhaps his most characteristic attitude was sitting on a log, with a
short pipe in his mouth. If ever man was formed to sit on a log, it
was Old Phelps. He was essentially a contemplative person. Walking
on a country road, or anywhere in the "open," was irksome to him. He
had a shambling, loose-jointed gait, not unlike that of the bear: his
short legs bowed out, as if they had been more in the habit of
climbing trees than of walking. On land, if we may use that
expression, he was something like a sailor; but, once in the rugged
trail or the unmarked route of his native forest, he was a different
person, and few pedestrians could compete with him. The vulgar
estimate of his contemporaries, that reckoned Old Phelps "lazy," was
simply a failure to comprehend the conditions of his being. It is
the unjustness of civilization that it sets up uniform and artificial
standards for all persons. The primitive man suffers by them much as
the contemplative philosopher does, when one happens to arrive in
this busy, fussy world.
If the appearance of Old Phelps attracts attention, his voice, when
first heard, invariably startles the listener. A small,
high-pitched, half-querulous voice, it easily rises into the shrillest
falsetto; and it has a quality in it that makes it audible in all the
tempests of the forest, or the roar of rapids, like the piping of a
boatswain's whistle at sea in a gale. He has a way of letting it
rise as his sentence goes on, or when he is opposed in argument, or
wishes to mount above other voices in the conversation, until it
dominates everything. Heard in the depths of the woods, quavering
aloft, it is felt to be as much a part of nature, an original force,
as the northwest wind or the scream of the hen-hawk. When he is
pottering about the camp-fire, trying to light his pipe with a twig
held in the flame, he is apt to begin some philosophical observation
in a small, slow, stumbling voice, which seems about to end in
defeat; when he puts on some unsuspected force, and the sentence ends
in an insistent shriek. Horace Greeley had such a voice, and could
regulate it in the same manner.
Enter page number
PreviousNext
Page 16 of 36
Words from 15253 to 16265
of 35746
