Unbeaten Tracks In Japan By Isabella L. Bird
























































 -   Just as the track touches the bay there is a
road-post, with a prayer-wheel in it, and by - Page 103
Unbeaten Tracks In Japan By Isabella L. Bird - Page 103 of 112 - First - Home

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Just As The Track Touches The Bay There Is A Road-Post, With A Prayer-Wheel In It, And By

The shore an upright stone of very large size, inscribed with Sanskrit characters, near to a stone staircase and a

Gateway in a massive stone-faced embankment, which looked much out of keeping with the general wildness of the place. On a rocky promontory in a wooded cove there is a large, rambling house, greatly out of repair, inhabited by a Japanese man and his son, who are placed there to look after Government interests, exiles among 500 Ainos. From among the number of rat-haunted, rambling rooms which had once been handsome, I chose one opening on a yard or garden with some distorted yews in it, but found that the great gateway and the amado had no bolts, and that anything might be appropriated by any one with dishonest intentions; but the house-master and his son, who have lived for ten years among the Ainos, and speak their language, say that nothing is ever taken, and that the Ainos are thoroughly honest and harmless. Without this assurance I should have been distrustful of the number of wide-mouthed youths who hung about, in the listlessness and vacuity of savagery, if not of the bearded men who sat or stood about the gateway with children in their arms.

Usu is a dream of beauty and peace. There is not much difference between the height of high and low water on this coast, and the lake-like illusion would have been perfect had it not been that the rocks were tinged with gold for a foot or so above the sea by a delicate species of fucus. In the exquisite inlet where I spent the night, trees and trailers drooped into the water and were mirrored in it, their green, heavy shadows lying sharp against the sunset gold and pink of the rest of the bay; log canoes, with planks laced upon their gunwales to heighten them, were drawn upon a tiny beach of golden sand, and in the shadiest cove, moored to a tree, an antique and much-carved junk was "floating double." Wooded, rocky knolls, with Aino huts, the vermilion peaks of the volcano of Usu-taki redder than ever in the sinking sun, a few Ainos mending their nets, a few more spreading edible seaweed out to dry, a single canoe breaking the golden mirror of the cove by its noiseless motion, a few Aino loungers, with their "mild-eyed, melancholy" faces and quiet ways suiting the quiet evening scene, the unearthly sweetness of a temple bell - this was all, and yet it was the loveliest picture I have seen in Japan.

In spite of Ito's remonstrances and his protestations that an exceptionally good supper would be spoiled, I left my rat-haunted room, with its tarnished gilding and precarious fusuma, to get the last of the pink and lemon-coloured glory, going up the staircase in the stone-faced embankment, and up a broad, well-paved avenue, to a large temple, within whose open door I sat for some time absolutely alone, and in a wonderful stillness; for the sweet-toned bell which vainly chimes for vespers amidst this bear-worshipping population had ceased. This temple was the first symptom of Japanese religion that I remember to have seen since leaving Hakodate, and worshippers have long since ebbed away from its shady and moss-grown courts. Yet it stands there to protest for the teaching of the great Hindu; and generations of Aino heathen pass away one after another; and still its bronze bell tolls, and its altar lamps are lit, and incense burns for ever before Buddha. The characters on the great bell of this temple are said to be the same lines which are often graven on temple bells, and to possess the dignity of twenty-four centuries:

"All things are transient; They being born must die, And being born are dead; And being dead are glad To be at rest."

The temple is very handsome, the baldachino is superb, and the bronzes and brasses on the altar are specially fine. A broad ray of sunlight streamed in, crossed the matted floor, and fell full upon the figure of Sakya-muni in his golden shrine; and just at that moment a shaven priest, in silk-brocaded vestments of faded green, silently passed down the stream of light, and lit the candles on the altar, and fresh incense filled the temple with a drowsy fragrance. It was a most impressive picture. His curiosity evidently shortened his devotions, and he came and asked me where I had been and where I was going, to which, of course, I replied in excellent Japanese, and then stuck fast.

Along the paved avenue, besides the usual stone trough for holy water, there are on one side the thousand-armed Kwan-non, a very fine relief, and on the other a Buddha, throned on the eternal lotus blossom, with an iron staff, much resembling a crozier, in his hand, and that eternal apathy on his face which is the highest hope of those who hope at all. I went through a wood, where there are some mournful groups of graves on the hillside, and from the temple came the sweet sound of the great bronze bell and the beat of the big drum, and then, more faintly, the sound of the little bell and drum, with which the priest accompanies his ceaseless repetition of a phrase in the dead tongue of a distant land. There is an infinite pathos about the lonely temple in its splendour, the absence of even possible worshippers, and the large population of Ainos, sunk in yet deeper superstitions than those which go to make up popular Buddhism. I sat on a rock by the bay till the last pink glow faded from Usu-taki and the last lemon stain from the still water; and a beautiful crescent, which hung over the wooded hill, had set, and the heavens blazed with stars:

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