Unbeaten Tracks In Japan By Isabella L. Bird
























































 -   Can anything be more grotesque and barbarous than our
florists' bouquets, a series of concentric rings of flowers of
divers - Page 48
Unbeaten Tracks In Japan By Isabella L. Bird - Page 48 of 219 - First - Home

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Can Anything Be More Grotesque And Barbarous Than Our "Florists' Bouquets," A Series Of Concentric Rings Of Flowers Of Divers Colours, Bordered By Maidenhair And A Piece Of Stiff Lace Paper, In Which Stems, Leaves, And Even Petals Are Brutally Crushed, And The Grace And Individuality Of Each Flower Systematically Destroyed?

Kanaya is the chief man in this village, besides being the leader of the dissonant squeaks and discords which represent music at the Shinto festivals, and in some mysterious back region he compounds and sells drugs.

Since I have been here the beautification of his garden has been his chief object, and he has made a very respectable waterfall, a rushing stream, a small lake, a rustic bamboo bridge, and several grass banks, and has transplanted several large trees. He kindly goes out with me a good deal, and, as he is very intelligent, and Ito is proving an excellent, and, I think, a faithful interpreter, I find it very pleasant to be here.

They rise at daylight, fold up the wadded quilts or futons on and under which they have slept, and put them and the wooden pillows, much like stereoscopes in shape, with little rolls of paper or wadding on the top, into a press with a sliding door, sweep the mats carefully, dust all the woodwork and the verandahs, open the amado - wooden shutters which, by sliding in a groove along the edge of the verandah, box in the whole house at night, and retire into an ornamental projection in the day - and throw the paper windows back. Breakfast follows, then domestic avocations, dinner at one, and sewing, gardening, and visiting till six, when they take the evening meal.

Visitors usually arrive soon afterwards, and stay till eleven or twelve. Japanese chess, story-telling, and the samisen fill up the early part of the evening, but later, an agonising performance, which they call singing, begins, which sounds like the very essence of heathenishness, and consists mainly in a prolonged vibrating "No." As soon as I hear it I feel as if I were among savages. Sake, or rice beer, is always passed round before the visitors leave, in little cups with the gods of luck at the bottom of them. Sake, when heated, mounts readily to the head, and a single small cup excites the half-witted man-servant to some very foolish musical performances. I am sorry to write it, but his master and mistress take great pleasure in seeing him make a fool of himself, and Ito, who is from policy a total abstainer, goes into convulsions of laughter.

One evening I was invited to join the family, and they entertained me by showing me picture and guide books. Most Japanese provinces have their guide-books, illustrated by wood-cuts of the most striking objects, and giving itineraries, names of yadoyas, and other local information. One volume of pictures, very finely executed on silk, was more than a century old. Old gold lacquer and china, and some pieces of antique embroidered silk, were also produced for my benefit, and some musical instruments of great beauty, said to be more than two centuries old.

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