Unbeaten Tracks In Japan By Isabella L. Bird
























































 -   As the bear is
seen to approach his end, they shout in chorus, We kill you, O
bear! come back - Page 94
Unbeaten Tracks In Japan By Isabella L. Bird - Page 94 of 112 - First - Home

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As The Bear Is Seen To Approach His End, They Shout In Chorus, "We Kill You, O Bear!

Come back soon into an Aino."] When a bear is trapped or wounded by an arrow, the hunters go through an apologetic or propitiatory ceremony.

They appear to have certain rude ideas of metempsychosis, as is evidenced by the Usu prayer to the bear and certain rude traditions; but whether these are indigenous, or have arisen by contact with Buddhism at a later period, it is impossible to say.

They have no definite ideas concerning a future state, and the subject is evidently not a pleasing one to them. Such notions as they have are few and confused. Some think that the spirits of their friends go into wolves and snakes; others, that they wander about the forests; and they are much afraid of ghosts. A few think that they go to "a good or bad place," according to their deeds; but Shinondi said, and there was an infinite pathos in his words, "How can we know? No one ever came back to tell us!" On asking him what were bad deeds, he said, "Being bad to parents, stealing, and telling lies." The future, however, does not occupy any place in their thoughts, and they can hardly be said to believe in the immortality of the soul, though their fear of ghosts shows that they recognise a distinction between body and spirit.

Their social customs are very simple. Girls never marry before the age of seventeen, or men before twenty-one. When a man wishes to marry he thinks of some particular girl, and asks the chief if he may ask for her. If leave is given, either through a "go-between" or personally, he asks her father for her, and if he consents the bridegroom gives him a present, usually a Japanese "curio." This constitutes betrothal, and the marriage, which immediately follows, is celebrated by carousals and the drinking of much sake. The bride receives as her dowry her earrings and a highly ornamented kimono. It is an essential that the husband provides a house to which to take his wife. Each couple lives separately, and even the eldest son does not take his bride to his father's house. Polygamy is only allowed in two cases. The chief may have three wives; but each must have her separate house. Benri has two wives; but it appears that he took the second because the first was childless. [The Usu Ainos told me that among the tribes of Volcano Bay polygamy is not practised, even by the chiefs.] It is also permitted in the case of a childless wife; but there is no instance of it in Biratori, and the men say that they prefer to have one wife, as two quarrel.

Widows are allowed to marry again with the chief's consent; but among these mountain Ainos a woman must remain absolutely secluded within the house of her late husband for a period varying from six to twelve months, only going to the door at intervals to throw sake to the right and left. A man secludes himself similarly for thirty days. [So greatly do the customs vary, that round Volcano Bay I found that the period of seclusion for a widow is only thirty days, and for a man twenty-five; but that after a father's death the house in which he has lived is burned down after the thirty days of seclusion, and the widow and her children go to a friend's house for three years, after which the house is rebuilt on its former site.]

If a man does not like his wife, by obtaining the chief's consent he can divorce her; but he must send her back to her parents with plenty of good clothes; but divorce is impracticable where there are children, and is rarely if ever practised. Conjugal fidelity is a virtue among Aino women; but "custom" provides that, in case of unfaithfulness, the injured husband may bestow his wife upon her paramour, if he be an unmarried man; in which case the chief fixes the amount of damages which the paramour must pay; and these are usually valuable Japanese curios.

The old and blind people are entirely supported by their children, and receive until their dying day filial reverence and obedience.

If one man steals from another he must return what he has taken, and give the injured man a present besides, the value of which is fixed by the chief.

Their mode of living you already know, as I have shared it, and am still receiving their hospitality. "Custom" enjoins the exercise of hospitality on every Aino. They receive all strangers as they received me, giving them of their best, placing them in the most honourable place, bestowing gifts upon them, and, when they depart, furnishing them with cakes of boiled millet.

They have few amusements, except certain feasts. Their dance, which they have just given in my honour, is slow and mournful, and their songs are chants or recitative. They have a musical instrument, something like a guitar, with three, five, or six strings, which are made from sinews of whales cast up on the shore. They have another, which is believed to be peculiar to themselves, consisting of a thin piece of wood, about five inches long and two and a half inches broad, with a pointed wooden tongue, about two lines in breadth and sixteen in length, fixed in the middle, and grooved on three sides. The wood is held before the mouth, and the tongue is set in motion by the vibration of the breath in singing. Its sound, though less penetrating, is as discordant as that of a Jew's harp, which it somewhat resembles. One of the men used it as an accompaniment of a song; but they are unwilling to part with them, as they say that it is very seldom that they can find a piece of wood which will bear the fine splitting necessary for the tongue.

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