They Then Brought Four Bowls Made Of Stone, Of The Colour Of The Mung Fruit; And When Each Entreated That

His own bowl might be accepted, Buddha caused them to appear as if formed into a single bowl, appearing at

The upper rim as if placed one within the other." See the account more correctly given in the "Buddhist Birth Stories," p. 110.

[11] Compare the narrative in Luke's Gospel, xxi. 1-4.

[12] See chapter viii.

[13] This, no doubt, should be Hwuy-ying. King was at this time ill in Nagara, and indeed afterwards he dies in crossing the Little Snowy Mountains; but all the texts make him die twice. The confounding of the two names has been pointed out by Chinese critics.

[14] "Came to his end;" i.e., according to the text, "proved the impermanence and uncertainty," namely, of human life. See Williams' Dictionary under {.}. The phraseology is wholly Buddhistic.

CHAPTER XIII

NAGARA. FESTIVAL OF BUDDHA'S SKULL-BONE. OTHER RELICS, AND HIS SHADOW.

Going west for sixteen yojanas,[1] he came to the city He-lo[2] in the borders of the country of Nagara, where there is the flat-bone of Buddha's skull, deposited in a vihara[3] adorned all over with gold- leaf and the seven sacred substances. The king of the country, revering and honouring the bone, and anxious lest it should be stolen away, has selected eight individuals, representing the great families in the kingdom, and committing to each a seal, with which he should seal (its shrine) and guard (the relic). At early dawn these eight men come, and after each has inspected his seal, they open the door. This done, they wash their hands with scented water and bring out the bone, which they place outside the vihara, on a lofty platform, where it is supported on a round pedestal of the seven precious substances, and covered with a bell of /lapis lazuli/, both adorned with rows of pearls. Its colour is of a yellowish white, and it forms an imperfect circle twelve inches round,[4] curving upwards to the centre. Every day, after it has been brought forth, the keepers of the vihara ascend a high gallery, where they beat great drums, blow conchs, and clash their copper cymbals. When the king hears them, he goes to the vihara, and makes his offerings of flowers and incense. When he has done this, he (and his attendants) in order, one after another, (raise the bone), place it (for a moment) on the top of their heads,[5] and then depart, going out by the door on the west as they entered by that on the east. The king every morning makes his offerings and performs his worship, and afterwards gives audience on the business of his government. The chiefs of the Vaisyas[6] also make their offerings before they attend to their family affairs. Every day it is so, and there is no remissness in the observance of the custom.

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