Through Central Borneo An Account Of Two Years' Travel In The Land Of The Head-Hunters Between The Years 1913 And 1917 By Carl Lumholtz




























































 -  But
each day they offered for sale objects of great interest and variety.
Several beautifully engraved wah-wah (long armed - Page 90
Through Central Borneo An Account Of Two Years' Travel In The Land Of The Head-Hunters Between The Years 1913 And 1917 By Carl Lumholtz - Page 90 of 130 - First - Home

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But Each Day They Offered For Sale Objects Of Great Interest And Variety. Several Beautifully Engraved Wah-Wah (Long Armed Monkey) Bones, Serving As Handles For Women's Knives, Are Worthy Of Mention, One Of Which Might Be Termed Exquisite In Delicate Execution Of Design.

Admirable mats were made by the tribe, but the designs proved perplexing to interpret, as knowledge on the subject seems to be lost.

The difficulty about an interpreter was solved when the "onder's" clerk returned from a brief absence; he was an intelligent and trustworthy Kayan who spoke Malay well, had been a Christian for six years, but adopted Islam when he married a Bakompai wife. Compared with the retiring "onder," who, though a very good man, seemed to feel the limitations of his position, this Kahayan appeared more like a man of the world.

I made a large collection of kapatongs (in Kahayan, hapatong), which here, and in less degree on the Katingan, I found more abundant than in any region of Borneo visited. These interesting objects are carved representations of a good antoh, or of man, bird, or animal which good antohs have entered, and which, therefore, are believed to protect their owners. When the carving has been finished the blian invokes a beneficent antoh to take it in possession, by dancing and singing one or two nights and by smearing blood on it from the sacrifice of a fowl, pig, or a water-buffalo - formerly often taken from a slave. As with a person, so with a kapatong; nobody is permitted to step over it lest the good antoh which resides in it should become frightened and flee.

Kapatongs are made from ironwood; they are of various kinds and serve many purposes. The larger ones, which appear as crude statues in many kampongs of Southern Borneo, more rarely on the Mahakam, are supposed to be attendants on the souls of the dead and were briefly described in Chapter XII.

The smaller kapatongs are used for the protection of the living and all their earthly belongings or pursuits. These images and their pedestals are usually carved from one block, though the very small ones may be made to stand inside of an upright piece of bamboo. Some kapatongs are placed in the ladang to protect the crops, others in the storehouse or inside the baskets where rice or food is kept. The monkey, itself very predatory on the rice fields, is converted into an efficient watchman in the form of its image, which is considered an excellent guardian of boiled rice that may be kept over from one meal to the next.

For protection at night the family may have a number of images, preferably seven, placed upright and tied together, standing near the head of the bed; a representation of the tiger-cat is placed on top of it all, for he impersonates a strong, good antoh who guards man night and day. From the viewpoint of the Katingans the tiger-cat is even more powerful than the nagah. When cholera or smallpox is apprehended, some kapatongs of fair size are left standing outside the room or at the landing places of the prahus. Images representing omen birds guard the house, but may also be carried on a journey in a basket which is placed near the head when a man is sleeping in a prahu or on land. A kapatong of one particular omen bird is thus capable of allaying any fear if real omen birds or snakes should pass in front of the boat.

On head-hunting expeditions kapatongs were of prime importance. Smeared with blood, they were taken along for protection and guidance, and afterward were returned to the room. Some of them are very curious; a favourite one represents a pregnant woman, the idea being that a woman with a child is a good watcher, as the infant cries and keeps her awake. That the child is not yet born is of no consequence. In my possession is a kapatong of the head-hunters which represents a woman in the act of bearing a child. Among the Dayaks the woman is regarded as the more alert and watchful; at night it is she who perceives danger and thrusts her hand against her husband's side to arouse him.

When feasts occur kapatongs, etc., are taken outside the house to partake of blood from the animal or (formerly) the slave sacrificed. They are supposed to drink it and are smeared with it. When important they are never sold, but are transmitted as heirlooms from father to son. They passed in a circuit among brothers, remaining three to five years with each, and were the cause of much strife, brother having been known to kill brother if deprived of his kapatong.

Many of those which came into my possession showed distinct traces of the application of blood. Some had necklaces around the necks as a sign that they had received human blood. A few of these were later estimated by an intelligent Dayak to be two hundred years old. At the time of purchase I was struck with the fact that the Ot-Danums were parting with objects of great importance in their religious life. One reason is that the young generation no longer practises head-hunting, which necessitated the use of a great number of kapatongs. The people are gradually losing faith in them.

These Duhoi were curiously varying in their physical aspects; some were tall, like the "onder," others of medium size; some had hooked noses, others turned up noses. The wife of the "onder" had unusually light skin, but there was no indication of a mixture of white blood. Their temperament is peaceful and gentle, and, according to the Kahayan clerk, who had been here ten years, they are truthful. Most of those that were measured came from the kampongs above, one of which is only two or three hours away. Several men had their foreheads shaved in a manner similar to the Chinese, a straight line from ear to ear forming the hair limit.

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