He Ran Dancing Ahead Of Us, Pointing To Where A Ledge Of Rock Offered A Natural Shelter, Or Showing Us A Steep Gully Where The Bullets Could Not Fall.

When they came very near him he would jump high in the air, not because he was startled, but out of pure animal joy in the excitement of it, and he would frown importantly and shake his red curls at us, as though to say:

"I told you to be careful. Now, you see. Don't let that happen again." We met him many times during the two days, escorting different companies of soldiers from one point to another, as though they were visitors to his estate. When a shell broke, he would pick up a piece and present it to the officer in charge, as though it were a flower he had plucked from his own garden, and which he wanted his guest to carry away with him as a souvenir of his visit. Some one asked the boy if his father and mother knew where he was, and he replied, with amusement, that they had run away and deserted him, and that he had remained because he wished to see what a Turkish army looked like. He was a much more plucky boy than the overrated Casabianca, who may have stood on the burning deck whence all but him had fled because he could not swim, and because it was with him a choice of being either burned or drowned. This boy stuck to the burning deck when it was possible for him at any time to have walked away and left it burning. But he stayed on because he was amused, and because he was able to help the soldiers from the city in safety across his native heath. He was much the best part of the show, and one of the bravest Greeks on the field. He will grow up to be something fine, no doubt, and his spirit will rebel against having to spend his life watching his father's sheep. He may even win the race from Marathon.

Another Greek who was a most interesting figure to us was a Lieutenant Ambroise Frantzis. He was in command of the mountain battery on the flat, round top of the high hill. On account of its height the place seemed much nearer to the sun than any other part of the world, and the heat there was three times as fierce as in the trenches below. When you had climbed to the top of this hill it was like standing on a roof-garden, or as though you were watching a naval battle from a fighting top of one of the battleships. The top of the hill was not unlike an immense circus ring in appearance. The piled-up earth around its circular edge gave that impression, and the glaring yellow wheat that was tramped into glaring yellow soil, and the blue ammunition-boxes scattered about, helped out the illusion. It was an exceedingly busy place, and the smoke drifted across it continually, hiding us from one another in a curtain of flying yellow dust, while over our heads the Turkish shells raced after each other so rapidly that they beat out the air like the branches of a tree in a storm. On account of its height, and the glaring heat, and the shells passing, and the Greek guns going off and then turning somersaults, it was not a place suited for meditation; but Ambroise Frantzis meditated there as though he were in his own study. He was a very young man and very shy, and he was too busy to consider his own safety, or to take time, as the others did, to show that he was not considering it. Some of the other officers stood up on the breastworks and called the attention of the men to what they were doing; but as they did not wish the men to follow their example in this, it was difficult to see what they expected to gain by their braggadocio. Frantzis was as unconcerned as an artist painting a big picture in his studio. The battle plain below him was his canvas, and his nine mountain guns were his paint brushes. And he painted out Turks and Turkish cannon with the same concentrated, serious expression of countenance that you see on the face of an artist when he bites one brush between his lips and with another wipes out a false line or a touch of the wrong color. You have seen an artist cock his head on one side, and shut one eye and frown at his canvas, and then select several brushes and mix different colors and hit the canvas a bold stroke, and then lean back to note the effect. Frantzis acted in just that way. He would stand with his legs apart and his head on one side, pulling meditatively at his pointed beard, and then taking a closer look through his field-glasses, would select the three guns he had decided would give him the effect he wanted to produce, and he would produce that effect. When the shot struck plump in the Turkish lines, and we could see the earth leap up into the air like geysers of muddy water, and each gunner would wave his cap and cheer, Frantzis would only smile uncertainly, and begin again, with the aid of his field-glasses, to puzzle out fresh combinations.

The battle that had begun in a storm of hail ended on the first day in a storm of bullets that had been held in reserve by the Turks, and which let off just after sundown. They came from a natural trench, formed by the dried-up bed of a stream which lay just below the hill on which the first Greek trench was situated. There were bushes growing on the bank of the stream nearest to the Greek lines, and these hid the men who occupied it.

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