The Travels Of Marco Polo - Volume 1 Of 2 By Marco Polo And Rustichello Of Pisa










































 -  1)
corresponds in some of its main features with that represented in the
photograph, I could not but recognize the - Page 328
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1) Corresponds In Some Of Its Main Features With That Represented In The Photograph, I Could Not But Recognize The

Possibility that this instrument of Verbiest's had for some reason or other been removed from the Terrace, and that the

Photograph might therefore possibly not be a representation of one of the ancient instruments displaced by him.[3]

The question having been raised it was very desirable to settle it, and I applied to Mr. Wylie for information, as I had received the photographs from him, and knew that he had been Mr. Thomson's companion and helper in the matter.

"Let me assure you," he writes (21st August, 1874), "the Jesuits had nothing to do with the manufacture of the so-called Mongol instruments; and whoever made them, they were certainly on the Peking Observatory before Loyola was born. They are not made for the astronomical system introduced by the Jesuits, but are altogether conformable to the system introduced by Kublai's astronomer Ko Show-king.... I will mention one thing which is quite decisive as to the Jesuits. The circle is divided into 365-1/4 degrees, each degree into 100 minutes, and each minute into 100 seconds. The Jesuits always used the sexagesimal division. Lecomte speaks of the imperfection of the division on the Jesuit-made instruments; but those on the Mongol instruments are immeasurably coarser.

"I understand it is not the ornamentation your friend objects to?[4] If it is, I would observe that there is no evidence of progress in the decorative and ornamental arts during the Ming Dynasty; and even in the Jesuit instruments that part of the work is purely Chinese, excepting in one instrument, which I am persuaded must have been made in Europe.

"I have a Chinese work called Luh-King-t'oo-Kaou, 'Illustrations and Investigations of the Six Classics.' This was written in A.D. 1131-1162, and revised and printed in 1165-1174. It contains a representation of an armillary sphere, which appears to me to be much the same as the sphere in question. There is a solid horizon fixed to a graduated outer circle. Inside the latter is a meridian circle, at right angles to which is a graduated colure; then the equator, apparently a double ring, and the ecliptic; also two diametric bars. The cut is rudely executed, but it certainly shows that some one imagined something more perfect. The instrument stands on a cross frame, with 4 dragon supporters and a prop in the centre.[5]

"It should be remembered that under the Mongol Dynasty the Chinese had much intercourse with Central Asia; and among others Yelewchootsae, as confidential minister and astronomer, followed Chinghiz in his Western campaign, held intercourse with the astronomers of Samarkand, and on his return laid some astronomical inventions before the Emperor.

"I append a notice of the Observatory taken from a popular description of Peking, by which it will be seen that the construction of these instruments is attributed to Ko Show-king, one of the most renowned astronomers of China. He was the chief astronomer under Kublai Kaan" [to whom he was presented in 1262; he was born in 1231. - H. C.]

"It must be remembered that there was a special vitality among the Chinese under the Yuen with regard to the arts and sciences, and the Emperor had the choice of artizans and men of science from all countries. From the age of the Yuen till the arrival of the Jesuits, we hear nothing of any new instruments having been made; and it is well known that astronomy was never in a lower condition than under the Ming."[6]

Mr. Wylie then draws attention to the account given by Trigault of the instruments that Matteo Ricci saw at Nanking, when he went (in the year 1599) to pay a visit to some of the literati of that city. He transcribes the account from the French Hist. de l'Expedition Chrestienne en la Chine, 1618. But as I have the Latin, which is the original and is more lucid, by me, I will translate from that.[7]

"Not only at Peking, but in this capital also (Nanking) there is a College of Chinese Mathematicians, and this one certainly is more distinguished by the vastness of its buildings than by the skill of its professors. They have little talent and less learning, and do nothing beyond the preparation of the almanacs on the rules of calculation made by the ancients; and when it chances that events do not agree with their calculation they assert that what they had calculated was the regular course of things, but that the aberrant conduct of the stars was a prognostic from heaven of something going to happen on the earth. This something they make out according to their fancy, and so spread a veil over their own blunders. These gentlemen did not much trust Father Matteo, fearing, no doubt, lest he should put them to shame; but when at last they were freed from this apprehension they came and amicably visited the Father in hope of learning something from him. And when he went to return their visit he saw something that really was new and beyond his expectation.

"There is a high hill at one side of the city, but still within the walls. On the top of the hill there is an ample terrace, capitally adapted for astronomical observation, and surrounded by magnificent buildings which form the residence of the Professors.... On this terrace are to be seen astronomical instruments of cast-metal, well worthy of inspection whether for size or for beauty; and we certainly have never seen or read of anything in Europe like them. For nearly 250 years they have stood thus exposed to the rain, the snow, and all other atmospheric inclemencies, and yet they have lost absolutely nothing of their original lustre. And lest I should be accused of raising expectations which I do not justify, I will do my best in a digression, probably not unwelcome, to bring them before the eyes of my readers.

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