The Travels Of Marco Polo - Volume 1 Of 2 By Marco Polo And Rustichello Of Pisa










































 -  323-324): Elephants are kept at Peking
for show, and are used to draw the state chariot when the Emperor - Page 588
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323-324):

"Elephants are kept at Peking for show, and are used to draw the state chariot when the Emperor goes to worship at the Altars of Heaven and Earth, but the sixty animals seen in the days of Kienlung, by Bell, have since dwindled to one or two.

Van Braam met six going into Peking, sent thither from Yun-Nan." These were no doubt carrying tribute from Burmah. - H. C.] It is worth noticing that the housings of cut cloth or applique work ("draps entaillez") are still in fashion in India for the caparison of elephants.

NOTE 4. - In 1263 Kublai adopted the Chinese fashion of worshipping the tablets of his own ancestors, and probably at the same time the adoration of his own tablet by his subjects was introduced. Van Braam ingenuously relates how he and the rest of the Dutch Legation of 1794 performed the adoration of the Emperor's Tablet on first entering China, much in the way described in the text.

There is a remarkable amplification in the last paragraph of the chapter as given by Ramusio: "When all are in their proper places, a certain great personage, or high prelate as it were, gets up and says with a loud voice: 'Bow yourselves and adore!' On this immediately all bend and bow the forehead to the ground. Then the prelate says again: 'God save and keep our Lord the Emperor, with length of years and with mirth and happiness.' And all answer: 'So may it be!' And then again the prelate says: 'May God increase and augment his Empire and its prosperity more and more, and keep all his subjects in peace and goodwill, and may all things go well throughout his Dominion!' And all again respond: 'So may it be!' And this adoration is repeated four times."

One of Pauthier's most interesting notes is a long extract from the official Directory of Ceremonial under the Mongol Dynasty, which admirably illustrates the chapters we have last read. I borrow a passage regarding this adoration: "The Musician's Song having ceased, the Ministers shall recite with a loud voice the following Prayer: 'Great Heaven, that extendest over all! Earth which art under the guidance of Heaven! We invoke You and beseech You to heap blessings upon the Emperor and the Empress! Grant that they may live ten thousand, a hundred thousand years!'

"Then the first Chamberlain shall respond: 'May it be as the prayer hath said!' The Ministers shall then prostrate themselves, and when they rise return to their places, and take a cup or two of wine."

The K'o-tow (Kheu-theu) which appears repeatedly in this ceremonial and which in our text is indicated by the four prostrations, was, Pauthier alleges, not properly a Chinese form, but only introduced by the Mongols. Baber indeed speaks of it as the Kornish, a Moghul ceremony, in which originally "the person who performed it kneeled nine times and touched the earth with his brow each time." He describes it as performed very elaborately (nine times twice) by his younger uncle in visiting the elder.

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