After a Genoese Chronicle; No. 4, Sketch from fresco of
Spinello Aretini at Siena; No. 5, Seal of Port of Winchelsea, from Sussex
Archaeological Collections, vol. i. 1848; No. 6, Sculpture on Leaning
Tower at Pisa, after Jal, Archeologie Navale; No. 7, from the Monument
of Peter Martyr, the persecutor of the Lombard Patarini, in the Church
of St. Eustorgius at Milan, after Le Tombe ed i Monumenti Illustri
d'Italia, Mil. 1822-23.
The ARBRE SEC, and ARBRES DU SOLEIL ET DE LA LUNE. From a miniature in
the Prose Romance of Alexander, in the Brit. Museum MS. called the
Shrewsbury Book (Reg. xv. e. 6).
The CHINAR or Oriental Plane, viz., that called the Tree of Godfrey of
Boulogne at Buyukdere, near Constantinople. Borrowed from Le Monde
Vegetal of Figuier.
Portrait of H. H. AGHA KHAN MEHELATI, late representative of the OLD MAN
of the MOUNTAIN. From a photograph by Messrs. SHEPHERD and BOURNE.
Ancient SILVER PATERA of debased Greek Art, formerly in the possession of
the Princes of BADAKHSHAN, now in the India Museum.
Ancient BUDDHIST Temple at Pandrethan in KASHMIR. Borrowed from
Fergusson's History of Architecture.
Horns of the OVIS POLI, or Great Sheep of Pamir. Drawn by the Editor
from the specimen belonging to the Royal Asiatic Society.
Figure of the OVIS POLI or Great Sheep of Pamir. From a drawing by Mr.
Severtsof in a Russian publication.
Head of a native of KASHGAR. After Verchaguine. From the Tour du Monde.
View of KASHGAR. From Mr. R. Shaw's Tartary.
View of SAMARKAND. From a Sketch by Mr. D. IVANOFF, engraved in a Russian
Illustrated Paper (kindly sent by Mr. I. to the editor).
Colossal Figure; BUDDHA entering NIRVANA. Sketched by the Editor at Pagan
in Burma.
Great LAMA MONASTERY, viz., that at Jehol. After Staunton's Narrative of
Lord Macartney's Embassy.
The Kyang, or WILD ASS of Mongolia. After a plate by Wolf in the
Journal of the Royal Zoological Society.
The Situation of Karakorum.
Entrance to the Erdeni Tso, Great Temple. From MARCEL MONNIER'S Tour d'
Asie, by kind permission of M. PLON.
Death of Chinghiz Khan. From a Miniature in the Livre des Merveilles.
Dressing up a Tent, from MARCEL MONNIER'S Tour d' Asie, by kind
permission of M. PLON.
Mediaeval TARTAR HUTS and WAGGONS. Drawn by Sig. QUINTO CENNI, on a design
compiled by the Editor from the descriptions of mediaeval and later
travellers.
Tartar IDOLS and KUMIS Churn. Drawn by the Editor after data in Pallas
and Zaleski (Vie des Steppes Kirghiz).
The SYRRHAPTES PALLASII; Bargherlac of Marco Polo. From a plate by Wolf
in the Ibis for April, 1860.
REEVES'S PHEASANT. After an engraving in Wood's Illustrated Natural
History.
The RAMPART of GOG and MAGOG. From a photograph of the Great Wall of
China. Borrowed from Dr. Rennie's Peking and the Pekingese.
A PAVILION at Yuen-Ming-Yuen, to illustrate the probable style of Kublai
Kaan's Summer Palace. Borrowed from Michie's Siberian Overland Route.
