The Travels Of Marco Polo - Volume 1 Of 2 By Marco Polo And Rustichello Of Pisa










































 -  But when
Baldelli came to prepare it for the press he found manifest indications of
its being a Translation from - Page 76
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But When Baldelli Came To Prepare It For The Press He Found Manifest Indications Of Its Being A Translation From The French.

Some of these he has noted; others have followed up the same line of comparison.

We give some detailed examples in a note.[4]

[Sidenote: Old French Text published by the Societe de Geographie.]

52. The French Text that we have been quoting, published by the Geographical Society of Paris in 1824, affords on the other hand the strongest corresponding proof that it is an original and not a Translation. Rude as is the language of the manuscript (Fr. 1116, formerly No. 7367, of Paris Library), it is, in the correctness of the proper names, and the intelligible exhibition of the itineraries, much superior to any form of the Work previously published.

The language is very peculiar. We are obliged to call it French, but it is not "Frenche of Paris." "Its style," says Paulin Paris, "is about as like that of good French authors of the age, as in our day the natural accent of a German, an Englishman, or an Italian, is like that of a citizen of Paris or Blois." The author is at war with all the practices of French grammar; subject and object, numbers, moods, and tenses, are in consummate confusion. Even readers of his own day must at times have been fain to guess his meaning. Italian words are constantly introduced, either quite in the crude or rudely Gallicized.[5] And words also, we may add, sometimes slip in which appear to be purely Oriental, just as is apt to happen with Anglo-Indians in these days.[6] All this is perfectly consistent with the supposition that we have in this MS. a copy at least of the original words as written down by Rusticiano a Tuscan, from the dictation of Marco an Orientalized Venetian, in French, a language foreign to both.

But the character of the language as French is not its only peculiarity. There is in the style, apart from grammar or vocabulary, a rude angularity, a rough dramatism like that of oral narrative; there is a want of proportion in the style of different parts, now over curt, now diffuse and wordy, with at times even a hammering reiteration; a constant recurrence of pet colloquial phrases (in which, however, other literary works of the age partake); a frequent change in the spelling of the same proper names, even when recurring within a few lines, as if caught by ear only; a literal following to and fro of the hesitations of the narrator; a more general use of the third person in speaking of the Traveller, but an occasional lapse into the first. All these characteristics are strikingly indicative of the unrevised product of dictation, and many of them would necessarily disappear either in translation or in a revised copy.

Of changes in representing the same proper name, take as an example that of the Kaan of Persia whom Polo calls Quiacatu (Kaikhatu), but also Acatu, Catu, and the like.

As an example of the literal following of dictation take the following: -

"Let us leave Rosia, and I will tell you about the Great Sea (the Euxine), and what provinces and nations lie round about it, all in detail; and we will begin with Constantinople - First, however, I should tell you about a province, etc.... There is nothing more worth mentioning, so I will speak of other subjects, - but there is one thing more to tell you about Rosia that I had forgotten.... Now then let us speak of the Great Sea as I was about to do. To be sure many merchants and others have been here, but still there are many again who know nothing about it, so it will be well to include it in our Book. We will do so then, and let us begin first with the Strait of Constantinople.

"At the Straits leading into the Great Sea, on the West Side, there is a hill called the Faro. - But since beginning on this matter I have changed my mind, because so many people know all about it, so we will not put it in our description but go on to something else." (See vol. ii. p. 487 seqq.)

And so on.

As a specimen of tautology and hammering reiteration the following can scarcely be surpassed. The Traveller is speaking of the Chughi, i.e. the Indian Jogis: -

"And there are among them certain devotees, called Chughi; these are longer-lived than the other people, for they live from 150 to 200 years; and yet they are so hale of body that they can go and come wheresoever they please, and do all the service needed for their monastery or their idols, and do it just as well as if they were younger; and that comes of the great abstinence that they practise, in eating little food and only what is wholesome; for they use to eat rice and milk more than anything else. And again I tell you that these Chughi who live such a long time as I have told you, do also eat what I am going to tell you, and you will think it a great matter. For I tell you that they take quicksilver and sulphur, and mix them together, and make a drink of them, and then they drink this, and they say that it adds to their life; and in fact they do live much longer for it; and I tell you that they do this twice every month. And let me tell you that these people use this drink from their infancy in order to live longer, and without fail those who live so long as I have told you use this drink of sulphur and quicksilver." (See G. T. p. 213.)

Such talk as this does not survive the solvent of translation; and we may be certain that we have here the nearest approach to the Traveller's reminiscences as they were taken down from his lips in the prison of Genoa.

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