The Path to Rome By Hilaire Belloc


































































 -  I looked through this framing hollow and praised God.
For there below me, thousands of feet below me, was what - Page 40
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I Looked Through This Framing Hollow And Praised God. For There Below Me, Thousands Of Feet Below Me, Was What Seemed An Illimitable Plain; At The End Of That World Was An Horizon, And The Dim Bluish Sky That Overhangs An Horizon.

There was brume in it and thickness.

One saw the sky beyond the edge of the world getting purer as the vault rose. But right up - a belt in that empyrean - ran peak and field and needle of intense ice, remote, remote from the world. Sky beneath them and sky above them, a steadfast legion, they glittered as though with the armour of the immovable armies of Heaven. Two days' march, three days' march away, they stood up like the walls of Eden. I say it again, they stopped my breath. I had seen them.

So little are we, we men: so much are we immersed in our muddy and immediate interests that we think, by numbers and recitals, to comprehend distance or time, or any of our limiting infinities. Here were these magnificent creatures of God, I mean the Alps, which now for the first time I saw from the height of the Jura; and because they were fifty or sixty miles away, and because they were a mile or two high, they were become something different from us others, and could strike one motionless with the awe of supernatural things. Up there in the sky, to which only clouds belong and birds and the last trembling colours of pure light, they stood fast and hard; not moving as do the things of the sky. They were as distant as the little upper clouds of summer, as fine and tenuous; but in their reflection and in their quality as it were of weapons (like spears and shields of an unknown array) they occupied the sky with a sublime invasion: and the things proper to the sky were forgotten by me in their presence as I gazed.

To what emotion shall I compare this astonishment? So, in first love one finds that _this_ can belong to _me._

Their sharp steadfastness and their clean uplifted lines compelled my adoration. Up there, the sky above and below them, part of the sky, but part of us, the great peaks made communion between that homing creeping part of me which loves vineyards and dances and a slow movement among pastures, and that other part which is only properly at home in Heaven. I say that this kind of description is useless, and that it is better to address prayers to such things than to attempt to interpret them for others.

These, the great Alps, seen thus, link one in some way to one's immortality. Nor is it possible to convey, or even to suggest, those few fifty miles, and those few thousand feet; there is something more. Let me put it thus: that from the height of Weissenstein I saw, as it were, my religion. I mean, humility, the fear of death, the terror of height and of distance, the glory of God, the infinite potentiality of reception whence springs that divine thirst of the soul; my aspiration also towards completion, and my confidence in the dual destiny. For I know that we laughers have a gross cousinship with the most high, and it is this contrast and perpetual quarrel which feeds a spring of merriment in the soul of a sane man.

Since I could now see such a wonder and it could work such things in my mind, therefore, some day I should be part of it. That is what I felt.

This it is also which leads some men to climb mountain-tops, but not me, for I am afraid of slipping down.

Then you will say, if I felt all this, why do I draw it, and put it in my book, seeing that my drawings are only for fun? My jest drags down such a memory and makes it ludicrous. Well, I said in my beginning that I would note down whatever most impressed me, except figures, which I cannot draw (I mean figures of human beings, for mathematical figures I can draw well enough), and I have never failed in this promise, except where, as in the case of Porrentruy, my drawing was blown away by the wind and lost - - if anything ever is lost. So I put down here this extraordinary drawing of what I saw, which is about as much like it as a printed song full of misprints is to that same song sung by an army on the march. And I am consoled by remembering that if I could draw infinitely well, then it would become sacrilege to attempt to draw that sight. Moreover, I am not going to waste any more time discussing why I put in this little drawing. If it disturbs your conception of what it was I saw, paste over it a little bit of paper. I have made it small for the purpose; but remember that the paper should be thin and opaque, for thick paper will interfere with the shape of this book, and transparent paper will disturb you with a memory of the picture.

It was all full of this, as a man is full of music just after hearing it, that I plunged down into the steep forest that led towards the great plain; then, having found a path, I worked zig-zag down it by a kind of gully that led through to a place where the limestone cliffs were broken, and (so my map told me) to the town of Soleure, which stands at the edge of the plain upon the river Aar.

I was an hour or more going down the enormous face of the Jura, which is here an escarpment, a cliff of great height, and contains but few such breaks by which men can pick their way. It was when I was about half-way down the mountain side that its vastness most impressed me. And yet it had been but a platform as it were, from which to view the Alps and their much greater sublimity.

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