Wild Wales: Its People, Language And Scenery By George Borrow





































































 -   Here my wife and 
daughter sat down on a small brass cannon, seemingly a six-pounder, 
which stood on a - Page 116
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Here My Wife And Daughter Sat Down On A Small Brass Cannon, Seemingly A Six-Pounder, Which Stood On A

Very dilapidated carriage; from the appearance of the gun, which was of an ancient form, and very much battered, and

That of the carriage, I had little doubt that both had been in the castle at the time of the siege. As my two loved ones sat, I walked up and down, recalling to my mind all I had heard and read in connection with this castle. I thought of its gallant defence against the men of Oliver; I thought of its roaring hospitality in the time of the fourth Sir Thomas; and I thought of the many beauties who had been born in its chambers, had danced in its halls, had tripped across its court, and had subsequently given heirs to illustrious families.

At last we were told that she housekeeper was waiting for us. The housekeeper, who was a genteel, good-looking young woman, welcomed us at the door which led into the interior of the house. After we had written our names, she showed us into a large room or hall on the right-hand side on the ground floor, where were some helmets and ancient halberts, and also some pictures of great personages. The floor was of oak, and so polished and slippery, that walking upon it was attended with some danger. Wishing that John Jones, our faithful attendant, who remained timidly at the doorway, should participate with us in the wonderful sights we were about to see, I inquired of the housekeeper whether he might come with us. She replied with a smile that it was not the custom to admit guides into the apartments, but that he might come, provided he chose to take off his shoes; adding, that the reason she wished him to take off his shoes was, an apprehension that if he kept them on he would injure the floors with their rough nails. She then went to John Jones, and told him in English that he might attend us, provided he took off his shoes; poor John, however, only smiled and said "Dim Saesneg!"

"You must speak to him in your native language," said I, "provided you wish him to understand you - he has no English."

"I am speaking to him in my native language," said the young housekeeper, with another smile - "and if he has no English, I have no Welsh."

"Then you are English?" said I.

"Yes," she replied, "a native of London."

"Dear me," said I. "Well, it's no bad thing to be English after all; and as for not speaking Welsh, there are many in Wales who would be glad to have much less Welsh than they have." I then told John Jones the condition on which he might attend us, whereupon he took off his shoes with great glee and attended us, holding them in his hand.

We presently went upstairs, to what the housekeeper told us was the principal drawing-room, and a noble room it was, hung round with the portraits of kings and queens, and the mighty of the earth. Here, on canvas, was noble Mary, the wife of William of Orange, and her consort by her side, whose part like a true wife she always took. Here was wretched Mary of Scotland, the murderess of her own lord. Here were the two Charleses and both the Dukes of Ormond - the great Duke who fought stoutly in Ireland against Papist and Roundhead; and the Pretender's Duke who tried to stab his native land, and died a foreign colonel. And here, amongst other daughters of the house, was the very proud daughter of the house, the Warwick Dowager who married the Spectator, and led him the life of a dog. She looked haughty and cold, and not particularly handsome; but I could not help gazing with a certain degree of interest and respect on the countenance of the vixen, who served out the gentility worshipper in such prime style. Many were the rooms which we entered, of which I shall say nothing, save that they were noble in size and rich in objects of interest. At last we came to what was called the picture gallery. It was a long panelled room, extending nearly the whole length of the northern side. The first thing which struck us on entering was the huge skin of a lion stretched out upon the floor; the head, however, which was towards the door, was stuffed, and with its monstrous teeth looked so formidable and life-like, that we were almost afraid to touch it. Against every panel was a portrait; amongst others was that of Sir Thomas Middleton, the stout governor of the castle, during the time of the siege. Near to it was the portrait of his rib, Dame Middleton. Farther down on the same side were two portraits of Nell Gwynn; the one painted when she was a girl; the other when she had attained a more mature age. They were both by Lely, the Apelles of the Court of wanton Charles. On the other side was one of the Duke of Gloucester, the son of Queen Anne, who, had he lived, would have kept the Georges from the throne. In this gallery on the southern side was a cabinet of ebony and silver, presented by Charles the Second to the brave warrior Sir Thomas, and which, according to tradition, cost seven thousand pounds. This room, which was perhaps the most magnificent in the castle, was the last we visited. The candle of God, whilst we wandered through these magnificent halls, was flaming in the firmament, and its rays, penetrating through the long narrow windows, showed them off, and all the gorgeous things which they contained to great advantage. When we left the castle we all said, not excepting John Jones, that we had never seen in our lives anything more princely and delightful than the interior.

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