Passing on
we came to that part where the monks had lived, but which now
served as a farmhouse; an open doorway exhibited to us an ancient
gloomy hall, where was some curious old-fashioned furniture,
particularly an ancient rack, in which stood a goodly range of
pewter trenchers. A respectable dame kindly welcomed us and
invited us to sit down. We entered into conversation with her, and
asked her name, which she said was Evans. I spoke some Welsh to
her, which pleased her. She said that Welsh people at the present
day were so full of fine airs that they were above speaking the old
language - but that such was not the case formerly, and that she
had known a Mrs Price, who was housekeeper to the Countess of
Mornington, who lived in London upwards of forty years, and at the
end of that time prided herself upon speaking as good Welsh as she
did when a girl. I spoke to her about the abbey, and asked if she
had ever heard of Iolo Goch. She inquired who he was. I told her
he was a great bard, and was buried in the abbey. She said she had
never heard of him, but that she could show me the portrait of a
great poet, and going away, presently returned with a print in a
frame.
"There," said she, "is the portrait of Twm o'r Nant, generally
called the Welsh Shakespeare."
I looked at it. The Welsh Shakespeare was represented sitting at a
table with a pen in his hand; a cottage-latticed window was behind
him, on his left hand; a shelf with plates, and trenchers behind
him, on his right. His features were rude, but full of wild,
strange expression; below the picture was the following couplet:-
"Llun Gwr yw llawn gwir Awen;
Y Byd a lanwodd o'i Ben."
"Did you ever hear of Twm o'r Nant?" said the old dame.
"I never heard of him by word of mouth," said I; "but I know all
about him - I have read his life in Welsh, written by himself, and
a curious life it is. His name was Thomas Edwards, but he
generally called himself Twm o'r Nant, or Tom of the Dingle,
because he was born in a dingle, at a place called Pen Porchell, in
the vale of Clwyd - which, by the bye, was on the estate which once
belonged to Iolo Goch, the poet I was speaking to you about just
now. Tom was a carter by trade, but once kept a toll-bar in South
Wales, which, however, he was obliged to leave at the end of two
years, owing to the annoyance which he experienced from ghosts and
goblins, and unearthly things, particularly phantom hearses, which
used to pass through his gate at midnight without paying, when the
gate was shut."
"Ah," said the dame, "you know more about Tom o'r Nant than I do;
and was he not a great poet?"
"I daresay he was," said I, "for the pieces which he wrote, and
which he called Interludes, had a great run, and he got a great
deal of money by them, but I should say the lines beneath the
portrait are more applicable to the real Shakespeare than to him."
"What do the lines mean?" said the old lady; "they are Welsh, I
know, but they are far beyond my understanding."
"They may be thus translated," said I:
