Europe Revised By Irvin S. Cobb









































































 -   You tire of interminable portraits
of the Grand Monarch, showing him grouped with his wife, the
Old-fashioned Square Upright - Page 56
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You Tire Of Interminable Portraits Of The Grand Monarch, Showing Him Grouped With His Wife, The Old-Fashioned Square Upright; And His Son, The Baby Grand; And His Prime Minister, The Lyre; And His Brother, The Yellow Clarinet, And The Rest Of The Orchestra.

You examine the space on the wall where Mona Lisa is or is not smiling her inscrutable smile, depending

On whether the open season for Mona Lisas has come or has passed. Wandering your weary way past acres of the works of Rubens, and miles of Titians, and townships of Corots, and ranges of Michelangelos, and quarter sections of Raphaels, and government reserves of Leonardo da Vincis, you stray off finally into a side passage to see something else, leaving your wife or your sister behind in one of the main galleries. You are gone only a minute or two, but returning you find her furiously, helplessly angry and embarrassed; and on inquiry you learn she has been enduring the ordeal of being ogled by a small, wormy-looking creature who has gone without shaving for two or three years in a desperate endeavor to resemble a real man.

Some day somebody will take a squirt-gun and a pint of insect powder and destroy these little, hairy caterpillars who infest all parts of Paris and make it impossible for a respectable woman to venture on the streets unaccompanied.

Let us, for the further adornment and final elaboration of the illustration, say that you are sitting at one of the small round tables which make mushroom beds under the awnings along the boulevards. All about you are French people, enjoying themselves in an easy and a rational and an inexpensive manner. As for yourself, all you desire is a quiet half hour in which to read your paper, sip your coffee, and watch the shifting panorama of street life. That emphatically is all you ask; merely that and a little privacy. Are you permitted to have it? You are not.

Beggars beseech you to look on their afflictions. Sidewalk venders cluster about you. And if you are smoking the spark of your cigar inevitably draws a full delegation of those moldy old whiskerados who follow the profession of collecting butts and quids. They hover about you, watchful as chicken hawks; and their bleary eyes envy you for each puff you take, until you grow uneasy and self-reproachful under their glare, and your smoke is spoiled for you. Very few men smoke well before an audience, even an audience of their own selection; so before your cigar is half finished you toss it away, and while it is yet in the air the watchers leap forward and squabble under your feet for the prize. Then the winner emerges from the scramble and departs along the sidewalk to seek his next victim, with the still-smoking trophy impaled on his steel-pointed tool of trade.

In desperation you rise up from there and flee away to your hotel and hide in your room, and lock and double-lock the doors, and begin to study timetables with a view to quitting Paris on the first train leaving for anywhere, the only drawback to a speedy consummation of this happy prospect being that no living creature can fathom the meaning of French timetables.

It is not so much the aggregate amount of which they have despoiled you - it is the knowledge that every other person in Paris is seeking and planning to nick you for some sum, great or small; it is the realization that, by reason of your ignorance of the language and the customs of the land, you are at their mercy, and they have no mercy - that, as Walter Pater so succinctly phrases it, that is what gets your goat - and gets it good!

So you shake the dust from your feet - your own dust, not Paris' dust - and you depart per hired hack for the station and per train from the station. And as the train draws away from the trainshed you behold behind you two legends or inscriptions, repeated and reiterated everywhere on the walls of the French capital.

One of them says: English Spoken Here!

And the other says: Liberality! Economy! Frugality!

Chapter XVI

As Done in London

London is essentially a he-town, just as Paris is indubitably a she-town. That untranslatable, unmistakable something which is not to be defined in the plain terms of speech, yet which sets its mark on any long-settled community, has branded them both - the one as being masculine, the other as being feminine. For Paris the lily stands, the conventionalized, feminized lily; but London is a lion, a shag-headed, heavy-pawed British lion.

One thinks of Paris as a woman, rather pretty, somewhat regardless of morals and decidedly slovenly of person; craving admiration, but too indolent to earn it by keeping herself presentable; covering up the dirt on a piquant face with rice powder; wearing paste jewels in her earlobes in an effort to distract criticism from the fact that the ears themselves stand in need of soap and water. London, viewed in retrospect, seems a great, clumsy, slow-moving giant, with hair on his chest and soil under his nails; competent in the larger affairs and careless about the smaller ones; amply satisfied with himself and disdainful of the opinions of outsiders; having all of a man's vices and a good share of his virtues; loving sport for sport's sake and power for its own sake and despising art for art's sake.

You do not have to spend a week or a month or a year in either Paris or London to note these things. The distinction is wide enough to be seen in a day; yes, or in an hour. It shows in all the outer aspects. An overtowering majority of the smart shops in Paris cater to women; a large majority of the smart shops in London cater to men.

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