Pictures From Italy By Charles Dickens












































































 -   I wonder why jealous corridors surround the bedroom on all
sides, and fill it with unnecessary doors that can't be - Page 28
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I Wonder Why Jealous Corridors Surround The Bedroom On All Sides, And Fill It With Unnecessary Doors That Can't Be Shut, And Will Not Open, And Abut On Pitchy Darkness!

I wonder why it is not enough that these distrustful genii stand agape at one's dreams all night, but

There must also be round open portholes, high in the wall, suggestive, when a mouse or rat is heard behind the wainscot, of a somebody scraping the wall with his toes, in his endeavours to reach one of these portholes and look in! I wonder why the faggots are so constructed, as to know of no effect but an agony of heat when they are lighted and replenished, and an agony of cold and suffocation at all other times! I wonder, above all, why it is the great feature of domestic architecture in Italian inns, that all the fire goes up the chimney, except the smoke!

The answer matters little. Coppersmiths, doors, portholes, smoke, and faggots, are welcome to me. Give me the smiling face of the attendant, man or woman; the courteous manner; the amiable desire to please and to be pleased; the light-hearted, pleasant, simple air--so many jewels set in dirt--and I am theirs again to-morrow!

ARIOSTO'S house, TASSO'S prison, a rare old Gothic cathedral, and more churches of course, are the sights of Ferrara. But the long silent streets, and the dismantled palaces, where ivy waves in lieu of banners, and where rank weeds are slowly creeping up the long- untrodden stairs, are the best sights of all.

The aspect of this dreary town, half an hour before sunrise one fine morning, when I left it, was as picturesque as it seemed unreal and spectral. It was no matter that the people were not yet out of bed; for if they had all been up and busy, they would have made but little difference in that desert of a place. It was best to see it, without a single figure in the picture; a city of the dead, without one solitary survivor. Pestilence might have ravaged streets, squares, and market-places; and sack and siege have ruined the old houses, battered down their doors and windows, and made breaches in their roofs. In one part, a great tower rose into the air; the only landmark in the melancholy view. In another, a prodigious castle, with a moat about it, stood aloof: a sullen city in itself. In the black dungeons of this castle, Parisina and her lover were beheaded in the dead of night. The red light, beginning to shine when I looked back upon it, stained its walls without, as they have, many a time, been stained within, in old days; but for any sign of life they gave, the castle and the city might have been avoided by all human creatures, from the moment when the axe went down upon the last of the two lovers: and might have never vibrated to another sound

Beyond the blow that to the block Pierced through with forced and sullen shock.

Coming to the Po, which was greatly swollen, and running fiercely, we crossed it by a floating bridge of boats, and so came into the Austrian territory, and resumed our journey: through a country of which, for some miles, a great part was under water. The brave Courier and the soldiery had first quarrelled, for half an hour or more, over our eternal passport. But this was a daily relaxation with the Brave, who was always stricken deaf when shabby functionaries in uniform came, as they constantly did come, plunging out of wooden boxes to look at it--or in other words to beg--and who, stone deaf to my entreaties that the man might have a trifle given him, and we resume our journey in peace, was wont to sit reviling the functionary in broken English: while the unfortunate man's face was a portrait of mental agony framed in the coach window, from his perfect ignorance of what was being said to his disparagement.

There was a postilion, in the course of this day's journey, as wild and savagely good-looking a vagabond as you would desire to see. He was a tall, stout-made, dark-complexioned fellow, with a profusion of shaggy black hair hanging all over his face, and great black whiskers stretching down his throat. His dress was a torn suit of rifle green, garnished here and there with red; a steeple- crowned hat, innocent of nap, with a broken and bedraggled feather stuck in the band; and a flaming red neckerchief hanging on his shoulders. He was not in the saddle, but reposed, quite at his ease, on a sort of low foot-board in front of the postchaise, down amongst the horses' tails--convenient for having his brains kicked out, at any moment. To this Brigand, the brave Courier, when we were at a reasonable trot, happened to suggest the practicability of going faster. He received the proposal with a perfect yell of derision; brandished his whip about his head (such a whip! it was more like a home-made bow); flung up his heels, much higher than the horses; and disappeared, in a paroxysm, somewhere in the neighbourhood of the axle-tree. I fully expected to see him lying in the road, a hundred yards behind, but up came the steeple- crowned hat again, next minute, and he was seen reposing, as on a sofa, entertaining himself with the idea, and crying, 'Ha, ha! what next! Oh the devil! Faster too! Shoo--hoo--o--o!' (This last ejaculation, an inexpressibly defiant hoot.) Being anxious to reach our immediate destination that night, I ventured, by-and-by, to repeat the experiment on my own account. It produced exactly the same effect. Round flew the whip with the same scornful flourish, up came the heels, down went the steeple-crowned hat, and presently he reappeared, reposing as before and saying to himself, 'Ha ha!

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