Pictures From Italy By Charles Dickens












































































 -   They sit down on a sofa (the regular sofa! in the
regular place, O. P. Second Entrance!) and a procession - Page 36
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They Sit Down On A Sofa (The Regular Sofa!

In the regular place, O. P. Second Entrance!) and a procession of musicians enters; one creature playing a drum, and knocking himself off his legs at every blow.

These failing to delight her, dancers appear. Four first; then two; THE two; the flesh-coloured two. The way in which they dance; the height to which they spring; the impossible and inhuman extent to which they pirouette; the revelation of their preposterous legs; the coming down with a pause, on the very tips of their toes, when the music requires it; the gentleman's retiring up, when it is the lady's turn; and the lady's retiring up, when it is the gentleman's turn; the final passion of a pas-de-deux; and the going off with a bound!--I shall never see a real ballet, with a composed countenance again.

I went, another night, to see these Puppets act a play called 'St. Helena, or the Death of Napoleon.' It began by the disclosure of Napoleon, with an immense head, seated on a sofa in his chamber at St. Helena; to whom his valet entered with this obscure announcement:

'Sir Yew ud se on Low?' (the ow, as in cow).

Sir Hudson (that you could have seen his regimentals!) was a perfect mammoth of a man, to Napoleon; hideously ugly, with a monstrously disproportionate face, and a great clump for the lower- jaw, to express his tyrannical and obdurate nature. He began his system of persecution, by calling his prisoner 'General Buonaparte;' to which the latter replied, with the deepest tragedy, 'Sir Yew ud se on Low, call me not thus. Repeat that phrase and leave me! I am Napoleon, Emperor of France!' Sir Yew ud se on, nothing daunted, proceeded to entertain him with an ordinance of the British Government, regulating the state he should preserve, and the furniture of his rooms: and limiting his attendants to four or five persons. 'Four or five for ME!' said Napoleon. 'Me! One hundred thousand men were lately at my sole command; and this English officer talks of four or five for ME!' Throughout the piece, Napoleon (who talked very like the real Napoleon, and was, for ever, having small soliloquies by himself) was very bitter on 'these English officers,' and 'these English soldiers;' to the great satisfaction of the audience, who were perfectly delighted to have Low bullied; and who, whenever Low said 'General Buonaparte' (which he always did: always receiving the same correction), quite execrated him. It would be hard to say why; for Italians have little cause to sympathise with Napoleon, Heaven knows.

There was no plot at all, except that a French officer, disguised as an Englishman, came to propound a plan of escape; and being discovered, but not before Napoleon had magnanimously refused to steal his freedom, was immediately ordered off by Low to be hanged. In two very long speeches, which Low made memorable, by winding up with 'Yas!'--to show that he was English--which brought down thunders of applause.

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