Pictures From Italy By Charles Dickens












































































 -   So, I
went off, with a guide, to an old, old garden, once belonging to an
old, old convent, I - Page 63
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So, I Went Off, With A Guide, To An Old, Old Garden, Once Belonging To An Old, Old Convent, I

Suppose; and being admitted, at a shattered gate, by a bright-eyed woman who was washing clothes, went down some

Walks where fresh plants and young flowers were prettily growing among fragments of old wall, and ivy-coloured mounds; and was shown a little tank, or water-trough, which the bright-eyed woman--drying her arms upon her 'kerchief, called 'La tomba di Giulietta la sfortunata.' With the best disposition in the world to believe, I could do no more than believe that the bright-eyed woman believed; so I gave her that much credit, and her customary fee in ready money. It was a pleasure, rather than a disappointment, that Juliet's resting-place was forgotten. However consolatory it may have been to Yorick's Ghost, to hear the feet upon the pavement overhead, and, twenty times a day, the repetition of his name, it is better for Juliet to lie out of the track of tourists, and to have no visitors but such as come to graves in spring-rain, and sweet air, and sunshine.

Pleasant Verona! With its beautiful old palaces, and charming country in the distance, seen from terrace walks, and stately, balustraded galleries. With its Roman gates, still spanning the fair street, and casting, on the sunlight of to-day, the shade of fifteen hundred years ago. With its marble-fitted churches, lofty towers, rich architecture, and quaint old quiet thoroughfares, where shouts of Montagues and Capulets once resounded,

And made Verona's ancient citizens Cast by their grave, beseeming ornaments, To wield old partizans.

With its fast-rushing river, picturesque old bridge, great castle, waving cypresses, and prospect so delightful, and so cheerful! Pleasant Verona!

In the midst of it, in the Piazza di Bra--a spirit of old time among the familiar realities of the passing hour--is the great Roman Amphitheatre. So well preserved, and carefully maintained, that every row of seats is there, unbroken. Over certain of the arches, the old Roman numerals may yet be seen; and there are corridors, and staircases, and subterranean passages for beasts, and winding ways, above ground and below, as when the fierce thousands hurried in and out, intent upon the bloody shows of the arena. Nestling in some of the shadows and hollow places of the walls, now, are smiths with their forges, and a few small dealers of one kind or other; and there are green weeds, and leaves, and grass, upon the parapet. But little else is greatly changed.

When I had traversed all about it, with great interest, and had gone up to the topmost round of seats, and turning from the lovely panorama closed in by the distant Alps, looked down into the building, it seemed to lie before me like the inside of a prodigious hat of plaited straw, with an enormously broad brim and a shallow crown; the plaits being represented by the four-and-forty rows of seats.

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