Ouida Was Not
One Of These Professional Hacks, But A Personality Of Refined Instincts
Who Wrote, When She Cared To
Write at all, to please her equals; a
rationalistic anti-vulgarian; a woman of wide horizons who fought for
generous
Issues and despised all shams; the last, almost the last, of
lady-authors. What has such a genial creature in common with our anaemic
and woolly generation? "The Massarenes" may have faults, but how many of
our actual woman-scribes, for all their monkey-tricks of cleverness,
could have written it? The haunting charm of "In Maremma": why ask our
public to taste such stuff? You might as well invite a bilious
nut-fooder to a Lord Mayor's banquet.
The mention of banquets reminds me that she was blamed for preferring
the society of duchesses and diplomats to that of the Florentine
literati, as if there were something reprehensible in Ouida's fondness
for decent food and amusing talk when she could have revelled in Ceylon
tea and dough-nuts and listened to babble concerning Quattro-Cento
glazes in any of the fifty squabbling art-coteries of that City of
Misunderstandings. It was one of her several failings, chiefest among
them being this: that she had no reverence for money. She was unable to
hoard - an unpardonable sin. Envied in prosperity, she was smugly pitied
in her distress. Such is the fate of those who stand apart from the
crowd, among a nation of canting shopkeepers. To die penniless, after
being the friend of duchesses, is distinctly bad form - a slur on
society. True, she might have bettered her state by accepting a
lucrative proposal to write her autobiography, but she considered such
literature a "degrading form of vanity" and refused the offer. She
preferred to remain ladylike to the last, in this and other little
trifles - in her lack of humour, her redundancies, her love of expensive
clothes and genuinely humble people, of hot baths and latinisms and
flowers and pet dogs and sealing-wax. All through life she made no
attempt to hide her woman's nature, her preference for male over female
company; she was even guilty of saying that disease serves the world
better than war, because it kills more women than men. Out of date, with
a vengeance!
There recurs to me a sentence in a printed letter written by a
celebrated novelist of the artificial school, a sentence I wish I could
forget, describing Ouida as "a little terrible and finally pathetic
grotesque." Does not a phrase like this reveal, even better than his own
romances, the essentially non-human fibre of the writer's mind? Whether
this derivative intellectualist spiderishly spinning his own plots and
phrases and calling Ouida a "grotesque" - whether this echo ever tried to
grasp the bearing of her essays on Shelley or Blind Guides or Alma
Veniesia or The Quality of Mercy - tried to sense her burning words of
pity for those that suffer, her hatred of hypocrisy and oppression and
betrayal of friendship, her so righteous pleadings, coined out of the
heart's red blood, for all that makes life worthy to be lived?
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