Old Calabria By Norman Douglas














































































 -  Virgil's lachrymae
rerum hints at mystic and extra-human yearnings; to the troubadours
nature was conventionally stereotyped - a scenic decoration - Page 32
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Virgil's Lachrymae Rerum Hints At Mystic And Extra-Human Yearnings; To The Troubadours Nature Was Conventionally Stereotyped - A Scenic Decoration To Set Off Sentiments More Or Less Sincere; The Roman-Ticists Wallow In Her Rugged Aspects.

Horace never allowed phantasy to outrun intelligence; he kept his feet on earth; man was the measure of his universe, and a sober mind his highest attribute.

Nature must be kept "in her place." Her extrava-gances are not to be admired. This anthropocentric spirit has made him what he is - the ideal anti-sentimentalist and anti-vulgarian. For excess of sentiment, like all other intemperance, is the mark of that unsober and unsteady beast - the crowd.

Things have changed since those days; in proportion as the world has grown narrower and the element of fear and mystery diluted, our sympathies have broadened; the Goth, in particular, has learnt the knack of detecting natural charm where the Latin, to this day, beholds nothing but confusion and strife.

On the spot, I observe, one is liable to return to the antique outlook; to see the beauty of fields and rivers, yet only when subsidiary to man's personal convenience; to appreciate a fair landscape - with a shrewd worldly sense of its potential uses. "The garden that I love," said an Italian once to me, "contains good vegetables." This utilitarian flavour of the south has become very intelligible to me during the last few days. I, too, am thinking less of calceolarias than of cauliflowers.

A pilgrimage to the Bandusian Fount (if such it be) is no great undertaking - a morning's trip. The village of San Gervasio is the next station to Venosa, lying on an eminence only thirteen kilometres from there.

Here once ran a fountain which was known as late as the twelfth century as the Fons Bandusinus, and Ughelli, in his "Italia Sacra," cites a deed of the year 1103 speaking of a church "at the Bandusian Fount near Venosa." Church and fountain have now disappeared; but the site of the former, they say, is known, and close to it there once issued a copious spring called "Fontana Grande." This is probably the Horatian one; and is also, I doubt not, that referred to in Cenna's chronicle of Venosa: "At Torre San Gervasio are the ruins of a castle and an abundant spring of water colder than all the waters of Venosa," Frigus amabile. . . .

I could discover no one in the place to show me where this now vanished church stood. I rather think it occupied the site of the present church of Saint Anthony, the oldest in San Gervasio.

As to the fountain - there are now two of them, at some considerable distance from each other. Both of them are copious, and both lie near the foot of the hill on which the village now stands. Capmartin de Chaupy has reasons for believing that in former times San Gervasio did not occupy its present exalted position (vol. iii, p. 538).

One of them gushes out on the plain near the railway station, and has been rebuilt within recent times.

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