Undistracted During Several Successive Centuries By The Bloody Wars, And Still More Bloody Political Convulsions, Which For Too Long A

Period rendered the sword of the warrior so much more important to European society than the pen of the scholar,

The Icelandic settlers, devoting the long leisure of their winter nights to intellectual occupations, became the first of any European nation to create for themselves a native literature. Indeed, so much more accustomed did they get to use their heads than their hands, than if an Icelander were injured he often avenged himself, not by cutting the throat of his antagonist, but by ridiculing him in some pasquinade, - sometimes, indeed, he did both; and when the King of Denmark maltreats the crew of an Icelandic vessel shipwrecked on his coast, their indignant countrymen send the barbarous monarch word, that by way of reprisal, they intend making as many lampoons on him as there are promontories in his dominions. Almost all the ancient Scandinavian manuscripts are Icelandic; the negotiations between the Courts of the North were conducted by Icelandic diplomatists; the earliest topographical survey with which we are acquainted was Icelandic; the cosmogony of the Odin religion was formulated, and its doctrinal traditions and ritual reduced to a system, by Icelandic archaeologists; and the first historical composition ever written by any European in the vernacular, was the product of Icelandic genius. The title of this important work is "The Heimskringla," or world-circle, [Footnote: So called because Heimskringla (world-circle) is the first word in the opening sentence of the manuscript which catches the eye.] and its author was - Snorro Sturleson! It consists of an account of the reigns of the Norwegian kings from mythic times down to about A.D. 1150, that is to say, a few years before the death of our own Henry II.; but detailed by the old Sagaman with so much art and cleverness as almost to combine the dramatic power of Macaulay with Clarendon's delicate delineation of character, and the charming loquacity of Mr. Pepys. His stirring sea-fights, his tender love-stories, and delightful bits of domestic gossip, are really inimitable; - you actually live with the people he brings upon the stage, as intimately as you do with Falstaff, Percy, or Prince Hal; and there is something in the bearing of those old heroic figures who form his dramatis person, so grand and noble, that it is impossible to read the story of their earnest stirring lives without a feeling of almost passionate interest - an effect which no tale frozen up in the monkish Latin of the Saxon annalists has ever produced upon me.

As for Snorro's own life, it was eventful and tragic enough. Unscrupulous, turbulent, greedy of money, he married two heiresses - the one, however, becoming the COLLEAGUE, not the successor of the other. This arrangement naturally led to embarrassment. His wealth created envy, his excessive haughtiness disgusted his sturdy fellow-countrymen. He was suspected of desiring to make the republic an appanage of the Norwegian crown, in the hope of himself becoming viceroy; and at last, on a dark September night, of the year 1241, he was murdered in his house at Reikholt by his three sons-in-law.

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