Castilian Days By John Hay
























































































 -  The
idlers who have been lounging in the arena are swept out by the
alguaciles, and the hum of conversation - Page 20
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The Idlers Who Have Been Lounging In The Arena Are Swept Out By The Alguaciles, And The Hum Of Conversation Gives Way To An Expectant Silence.

When the last loafer has reluctantly retired, the great gate is thrown open, and the procession of the toreros enters.

They advance in a glittering line: first the marshals of the day, then the picadors on horseback, then the matadors on foot surrounded each by his quadrille of chulos. They walk towards the box which holds the city fathers, under whose patronage the show is given, and formally salute the authority. This is all very classic, also, recalling the Ave Caesar, morituri, etc., of the gladiators. It lacks, however, the solemnity of the Roman salute, from those splendid fellows who would never all leave the arena alive. A bullfighter is sometimes killed, it is true, but the percentage of deadly danger is scarcely enough to make a spectator's heart beat as the bedizened procession comes flashing by in the sun.

The municipal authority throws the bowing alguacil a key, which he catches in his hat, or is hissed if he misses it. With this he unlocks the door through which the bull is to enter, and then scampers off with undignified haste through the opposite entrance. There is a bugle flourish, the door flies open, and the bull rushes out, blind with the staring light, furious with rage, trembling in every limb. This is the most intense moment of the day. The glorious brute is the target of twelve thousand pairs of eyes. There is a silence as of death, while every one waits to see his first movement. He is doomed from the beginning; the curtain has risen on a three-act tragedy, which will surely end with his death, but the incidents which are to fill the interval are all unknown. The minds and eyes of all that vast assembly know nothing for the time but the movements of that brute. He stands for an instant recovering his senses. He has been shot suddenly out of the darkness into that dazzling light. He sees around him a sight such as he never confronted before, - a wall of living faces lit up by thousands of staring eyes. He does not dwell long upon this, however; in his pride and anger he sees a nearer enemy. The horsemen have taken position near the gate, where they sit motionless as burlesque statues, their long ashen spears, iron-tipped, in rest, their wretched nags standing blindfolded, with trembling knees, and necks like dromedaries, not dreaming of their near fate. The bull rushes, with a snort, at the nearest one. The picador holds firmly, planting his spear-point in the shoulder of the brute. Sometimes the bull flinches at this sharp and sudden punishment, and the picador, by a sudden turn to the left, gets away unhurt. Then there is applause for the torero and hisses for the bull. Some indignant amateurs go so far as to call him cow, and to inform him that he is the son of his mother. But oftener he rushes in, not caring for the spear, and with one toss of his sharp horns tumbles horse and rider in one heap against the barrier and upon the sand. The capeadores, the cloak-bearers, come fluttering around and divert the bull from his prostrate victims. The picador is lifted to his feet, - his iron armor not permitting him to rise without help, - and the horse is rapidly scanned to see if his wounds are immediately mortal. If not, the picador mounts again, and provokes the bull to another rush. A horse will usually endure two or three attacks before dying. Sometimes a single blow from in front pierces the heart, and the blood spouts forth in a cataract. In this case the picador hastily dismounts, and the bridle and saddle are stripped in an instant from the dying brute. If a bull is energetic and rapid in execution, he will clear the arena in a few moments. He rushes at one horse after another, tears them open with his terrible "spears" ("horns" is a word never used in the ring), and sends them madly galloping over the arena, trampling out their gushing bowels as they fly. The assistants watch their opportunity, from time to time, to take the wounded horses out of the ring, plug up their gaping rents with tow, and sew them roughly up for another sally. It is incredible to see what these poor creatures will endure, - carrying their riders at a lumbering gallop over the ring, when their thin sides seem empty of entrails.

Sometimes the bull comes upon the dead body of a horse he has killed. The smell of blood and the unmoving helplessness of the victim excite him to the highest pitch. He gores and tramples the carcass, and tosses it in the air with evident enjoyment, until diverted by some living tormentor. You will occasionally see a picador nervous and anxious about his personal safety. They are ignorant and superstitious, and subject to presentiments; they often go into the ring with the impression that their last hour has come. If one takes counsel of his fears and avoids the shock of combat, the hard-hearted crowd immediately discover it and rain maledictions on his head. I saw a picador once enter the ring as pale as death. He kept carefully out of the way of the bull for a few minutes. The sharp-eyed Spaniards noticed it, and commenced shouting, "Craven! He wants to live forever!" They threw orange-skins at him, and at last, their rage vanquishing their economy, they pelted him with oranges. His pallor gave way to a flush of shame and anger. He attacked the bull so awkwardly that the animal, killing his horse, threw him also with great violence. His hat flew off, his bald head struck the hard soil. He lay there as one dead, and was borne away lifeless.

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