In The Case Of One Who Stood With Her Little
Figure Slanted And Her Little Head Tilted, Looking Up Into The Charmed
Eyes Of A Tall _Rubio,_ The Tourist Could Not Help Rejoicing With The
Young Man Too.
The day after our day in the Prado we found ourselves in the Museum of
Modern Art through the kind offices of our mistaken cabman when we were
looking for the Archaeological Museum.
But we were not sorry, for some
of the new or newer pictures and sculptures were well worth seeing,
though we should never have tried for them. The force of the masters
which the ideals of the past held in restraint here raged in unbridled
excess: but if I like that force so much, why do I say excess? The new
or newer Spanish art likes an immense canvas, say as large as the side
of a barn, and it chooses mostly a tragical Spanish history in which it
riots with a young sense of power brave to see. There were a dozen of
those mighty dramas which I would have liked to bring away with me if I
had only had a town hall big enough to put them into after I got them
home. There were sculptures as masterful and as mighty as the pictures,
but among the paintings there was one that seemed to subdue all the
infuriate actions to the calm of its awful repose. This was Gisbert's
"Execution of Torrejos and his Companions," who were shot at Malaga in
1830 for a rising in favor of constitutional government. One does not,
if one is as wise as I, attempt to depict pictures, and I leave this
most heroic, most pathetic, most heart-breaking, most consoling
masterpiece for my reader to go and see for himself; it is almost worth
going as far as Madrid to see. Never in any picture do I remember the
like of those sad, brave, severe faces of the men standing up there to
be shot, where already their friends lay dead at their feet. A tumbled
top-hat in the foreground had an effect awfuller than a tumbled head
would have had.
VIII
Besides this and those other histories there were energetic portraits
and vigorous landscapes in the Modern Museum, where if we had not been
bent so on visiting the Archaeological Museum, we would willingly have
spent the whole morning. But we were determined to see the Peruvian and
Mexican antiquities which we believed must be treasured up in it; and
that we might not fail of finding it, I gave one of the custodians a
special peseta to take us out on the balcony and show us exactly how to
get to it. He was so precise and so full in. his directions that we
spent the next half-hour in wandering fatuously round the whole region
before we stumbled, almost violently, upon it immediately back of the
Modern Museum. Will, it be credited that it was then hardly worth seeing
for the things we meant to see?
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