I Do Not Know Why Any One Comes There, And I Search My Consciousness In Vain For A Better Reason Than The Feeling That I Must Come, Or Would Be Sorrier If I Did Not Than If I Did.

The worthy Howell does not commit himself to any expression of rejoicing or regretting in having done the Escorial.

But the good Theophile Gautier, who visited the place more than two hundred years after, owns frankly that he is "excessively embarrassed in giving his opinion" of it. "So many people," he says, "serious and well-conditioned, who, I prefer to think, have never seen it, have spoken of it as a _chef d'oeuvre,_ and a supreme effort of the human spirit, so that I should have the air, poor devil of a _facilletoniste errant,_ of wishing to play the original and taking pleasure in my contrary-mindedness; but still in my soul and conscience I cannot help finding the Escorial the most tiresome and the most stupid monument that could be imagined, for the mortification of his fellow-beings, by a morose monk and a suspicious tyrant. I know very well that the Escorial had a serious and religious aim; but gravity is not dryness, melancholy is not marasm, meditation is not ennui, and beauty of forms can always be happily wedded to elevation of ideas." This is the Frenchman's language as he goes into the Escorial; he does not cheer up as he passes through the place, and when he comes out he has to say: "I issued from that desert of granite, from that monkish necropolis with an extraordinary feeling of release, of exultation; it seemed to me I was born into life again, that I could be young once more, and rejoice in the creation of the good God, of which I had lost all hope in those funeral vaults. The bland and luminous air wrapt me round like a soft robe of fine wool, and warmed my body frozen in that cadaverous atmosphere; I was saved from that architectural nightmare, which I thought never would end. I advise people who are so fatuous as to pretend that they are ever bored to go and spend three or four days in the Escorial; they will learn what real ennui is and they will enjoy themselves all the rest of their lives in reflecting that they might be in the Escorial and that they are not."

That was well toward a century ago. It is not quite like that now, but it is something like it; the human race has become inured to the Escorial; more tourists have visited the place and imaginably lightened its burden by sharing it among their increasing number. Still there is now and then one who is oppressed, crushed by it, and cannot relieve himself in such ironies as Gautier's, but must cry aloud in suffering like that of the more emotional De Amicis: "You approach a courtyard and say, 'I have seen this already.' No.

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