. . . By This Time It Has Divided Itself, Being Crossed And Opposed By The Rocks, Into Four Several Streams, Each Of Which, In Emulation Of The Greater One, Will Tumble Down, Too:

And it does tumble down, but not from an equally elevated place; so that you have at one view

All these cascades intermixed with groves of olive and little woods, the mountains rising behind them, and on the top of one (that which forms the extremity of the half-circle's horns) is seated the town itself. At the very extremity of that extremity, on the brink of the precipice, stands the Sibyls' Temple, the remains of a little rotunda, surrounded with its portico, above half of whose beautiful Corinthian pillars are still standing and entire."

For the reader who has been on the spot the poet's words will paint a vivid picture of the scene; for the reader who has not been there, so much the worse; he should lose no time in going, and drinking a cup of the local wine at a table of the restaurant now in possession of Mr. Gray's point of view. I do not know a more filling moment, exclusive of the wine, than he can enjoy there, with those cascades before him and those temples beside him; for Mr. Gray has mentioned only one of the two, I do not know why, that exist on this enchanted spot, and that define their sharp, black shadows as with an inky line just beyond the restaurant tables. One is round and the other oblong, and the round one has been called the Sibyls', though now it is getting itself called Vesta's - the goddess who long unrightfully claimed the temple of Mater Matuta in the Forum Boarium at Rome. As Vesta has lately been dispossessed there by archaeology (which seems in Rome to enjoy the plenary powers of our Boards of Health), she may have been given the Sibyls' Temple at Tivoli in compensation; but all this does not really matter. What really matters is the mighty chasm which yawns away almost from your feet, where you sit, and the cataracts, from their brinks, high or low, plunging into it, and the wavering columns of mist weakly striving upward out of it: the whole hacked by those mountains Mr. Gray mentions, with belts of olive orchard on their flanks, and wild paths furrowing and wrinkling their stern faces. To your right there is a sheeted cataract falling from the basins of the town laundry, where the toil of the washers melts into nmsic, and their chatter, like that of birds, drifts brokenly across the abyss to you. While you sit musing or murmuring in your rapture, two mandolins and a guitar smilingly intrude, and after a prelude of Italian airs swing into strains which presently, through your revery, you recognize as "In the Bowery" and "Just One Girl," and the smile of the two mandolins and the guitar spreads to a grin of sympathy, and you are no longer at the Caffe Sibylla in Tivoli, but in your own Manhattan on some fairy roof-garden, or at some sixty-cent _table d'hote,_ with wine and music included.

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