Field And Hedgerow By Richard Jefferies




























































































 -  The right dandelion for this
question is the one that comes about May with a very broad disc, and in - Page 13
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The Right Dandelion For This Question Is The One That Comes About May With A Very Broad Disc, And In Such Quantities As Often To Cover A Whole Meadow.

I used to admire them very much in the fields by Surbiton (strong clay soil), and also on the

Towing-path of the Thames where the sward is very broad, opposite Long Ditton; indeed, I have often walked up that towing-path on a beautiful sunny morning, when all was quiet except the nightingales in the Palace hedge, on purpose to admire them. I dare say they are all gone now for evermore; still, it is a pleasure to look back on anything beautiful. What colour is this dandelion? It is not yellow, nor orange, nor gold; put a sovereign on it and see the difference. They say the gipsies call it the Queen's great hairy dog-flower - a number of words to one stalk; and so, to get a colour to it, you may call it the yellow-gold-orange plant. In the winter, on the black mud under a dark, dripping tree, I found a piece of orange peel, lately dropped - a bright red orange speck in the middle of the blackness. It looked very beautiful, and instantly recalled to my mind the great dandelion discs in the sunshine of summer. Yet certainly they are not red-orange. Perhaps, if ten people answered this question, they would each give different answers. Again, a bright day or a cloudy, the presence of a slight haze, or the juxtaposition of other colours, alters it very much; for the dandelion is not a glazed colour, like the buttercup, but sensitive. It is like a sponge, and adds to its own hue that which is passing, sucking it up.

The shadows of the trees in the wood, why are they blue? Ought they not to be dark? Is it really blue, or an illusion? And what is their colour when you see the shadow of a tall trunk aslant in the air like a leaning pillar? The fallen brown leaves wet with dew have a different brown from those that are dry, and the upper surface of the green growing leaf is different from the under surface. The yellow butterfly, if you meet one in October, has so toned down his spring yellow that you might fancy him a pale green leaf floating along the road. There is a shining, quivering, gleaming; there is a changing, fluttering, shifting; there is a mixing, weaving - varnished wings, translucent wings, wings with dots and veins, all playing over the purple heath; a very tangle of many-toned lights and hues. Then come the apples: if you look upon them from an upper window, so as to glance along the level plane of the fruit, delicate streaks of scarlet, like those that lie parallel to the eastern horizon before sunrise; golden tints under bronze, and apple-green, and some that the wasps have hollowed, more glowingly beautiful than the rest; sober leaves and black and white swallows:

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