Field And Hedgerow By Richard Jefferies




























































































 -  Pointed leaves, some
drooping, some horizontal, some fluttering slightly, still stay on the
tall willow wands, like bannerets on the - Page 99
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Pointed Leaves, Some Drooping, Some Horizontal, Some Fluttering Slightly, Still Stay On The Tall Willow Wands, Like Bannerets On The Knights' Lances, Much Torn In The Late Battle Of The Winds.

There is a shower from a clear sky under the trees in the forest; brown acorns rattling as they fall, and rich coloured Spanish chestnuts thumping the sward, and sometimes striking you as you pass under; they lie on the ground in pocketfuls.

Specks of brilliant scarlet dot the grass like some bright berries blown from the bushes; but on stooping to pick them, they are found to be the heads of a fungus. Near by lies a black magpie's feather, spotted with round dots of white.

At the edge of the trees stands an old timbered farmstead, whose gables and dark lines of wood have not been painted in the memory of man, dull and weather-beaten, but very homely; and by it rises the delicate cone of a new oast-house, the tiles on which are of the brightest red. Lines of bluish smoke ascend from among the bracken of the wild open ground, where a tribe of gipsies have pitched their camp. Three of the vans are time-stained and travel-worn, with dull red roofs; the fourth is brightly picked out with fresh yellow paint, and stands a marked object at the side. Orange-red beeches rise beyond them on the slope; two hoop-tents, or kibitkas, just large enough to creep into, are near the fires, where the women are cooking the gipsy's - bouillon - , that savoury stew of all things good: vegetables, meat, and scraps, and savouries, collected as it were in the stock-pot from twenty miles round. Hodge, the stay-at-home, sturdy carter, eats bread and cheese and poor bacon sometimes; he looks with true British scorn on all scraps and soups, and stock-pots and - bouillons - - not for him, not he; he would rather munch dry bread and cheese for every meal all the year round, though he could get bits as easy as the other and without begging. The gipsy is a cook. The man with a gold ring in his ear; the woman with a silver ring on her finger, coarse black snaky hair like a horse's mane; the boy with naked olive feet; dark eyes all of them, and an Oriental, sidelong look, and a strange inflection of tone that turns our common English words into a foreign language - there they camp in the fern, in the sun, their Eastern donkeys of Syria scattered round them, their children rolling about like foals in the grass, a bit out of the distant Orient under our Western oaks.

It is the nature of the oak to be still, it is the nature of the hawk to roam with the wind. The Anglo-Saxon labourer remains in his cottage generation after generation, ploughing the same fields; the express train may rush by, but he feels no wish to rush with it; he scarcely turns to look at it; all the note he takes is that it marks the time to 'knock off' and ride the horses home.

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