It Is Not Surprising To Read That This Last, And Crowning, Manifestation Of A Familiar Belgian Weakness Was Largely Wrecked By A Hurricane In 1604.

IV. One has left oneself all too little space to say what ought to be said of the Belgian Ardennes.

Personally I find them a trifle disappointing; they come, no doubt, as a welcome relief after the rest of Belgian landscape, which I have heard described, not altogether unjustly, as the ugliest in the world; but the true glory and value of Belgium will always be discovered in its marvellously picturesque old towns, and in its unrivalled wealth of painting, brass-work, and wood-carving. Compared with these last splendours the low, wooded wolds of the Ardennes, with their narrow limestone valleys, seem a little thing indeed. Dinant, no doubt, and Rochefort would be pleasant places enough if one were not always harking back in memory to Malines and Ypres, or longing to be once more in Ghent or Bruges.

The traveller by railway between Brussels and Liege passes, soon after leaving the station of Ans, a point of great significance in the study of Belgian landscape. Hitherto from Brussels, or for that matter from Bruges and Ostend, the country, though studded at frequent intervals with cities and big towns, has been curiously and intensely rural in the tracts that lie between; but now, as we descend the steep incline into the valley of the Meuse, we enter on a scene of industrial activity which, if never quite as bad as our own Black Country at home, is sufficiently spoilt and irritating to all who love rustic grace. The redeeming point, as always, is that infinitely superior good taste which presents us, in the midst of coal-mines and desolation, not with our own unspeakably squalid Sheffields or Rotherhams, but with a queenly city, with broad and handsome streets, with a wealth of public gardens, and with many stately remnants of the Renaissance and Middle Time. It is possible in Liege to forget - or rather impossible to recall - the soiled and grimy country that stretches from its gates in the direction of Seraing. Even under the sway of the Spanish tyranny this was an independent state under the rule of a Bishop Prince, who was also an Elector of the Holy Roman Empire. Its original cathedral, indeed, has vanished, like those at Cambrai and Bruges, in the insensate throes of the French Revolution; and the existing church of St. Paul, though dating in part from the thirteenth century, and a fine enough building in its way, is hardly the kind of structure that one would wish to associate with the seat of a bishopric that is still so historic, and was formerly so important and even quasi-regal. Here, however, you should notice, just as in the great neighbour church of St. Jacques, the remarkable arabesque-pattern painting of the severies of the vault, and the splendour of the sixteenth-century glass. St. Jacques, I think, on the whole is the finer church of the two, and remarkable for the florid ornament of its spandrels, and for the elaborate, pendent cusping of the soffits of its arches - features that lend it an almost barbaric magnificence that reminds one of Rosslyn Chapel.

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