Their Most
Favourite Dramatic Pieces Are Almost Without Incident; And The
Dialogue Of Their Comedies Consists Of Moral, Insipid
Apophthegms, Intirely Destitute Of Wit Or Repartee.
I know what
I hazard by this opinion among the implicit admirers of Lully,
Racine, and Moliere.
I don't talk of the busts, the statues, and pictures which abound
at Versailles, and other places in and about Paris, particularly
the great collection of capital pieces in the Palais-royal,
belonging to the duke of Orleans. I have neither capacity, nor
inclination, to give a critique on these chef d'oeuvres, which
indeed would take up a whole volume. I have seen this great
magazine of painting three times, with astonishment; but I should
have been better pleased, if there had not been half the number:
one is bewildered in such a profusion, as not to know where to
begin, and hurried away before there is time to consider one
piece with any sort of deliberation. Besides, the rooms are all
dark, and a great many of the pictures hang in a bad light. As
for Trianon, Marli, and Choissi, they are no more than pigeon-houses,
in respect to palaces; and, notwithstanding the
extravagant eulogiums which you have heard of the French king's
houses, I will venture to affirm that the king of England is
better, I mean more comfortably, lodged. I ought, however, to
except Fontainebleau, which I have not seen.
The city of Paris is said to be five leagues, or fifteen miles,
in circumference; and if it is really so, it must be much more
populous than London; for the streets are very narrow, and the
houses very high, with a different family on every floor.
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