Travels Through France And Italy By Tobias Smollett
































































































 -  Nor, indeed, 
do I think there was much talent required in representing a 
figure with the head and breasts of - Page 387
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Nor, Indeed, Do I Think There Was Much Talent Required In Representing A Figure With The Head And Breasts Of A Woman, And All The Other Parts Of The Body Masculine.

There is such a profusion of curiosities in this celebrated musaeum; statues, busts, pictures, medals, tables inlaid in the

Way of marquetry, cabinets adorned with precious stones, jewels of all sorts, mathematical instruments, antient arms and military machines, that the imagination is bewildered, and a stranger of a visionary turn, would be apt to fancy himself in a palace of the fairies, raised and adorned by the power of inchantment.

In one of the detached apartments, I saw the antependium of the altar, designed for the famous chapel of St. Lorenzo. It is a curious piece of architecture, inlaid with coloured marble and precious stones, so as to represent an infinite variety of natural objects. It is adorned with some crystal pillars, with capitals of beaten gold. The second story of the building is occupied by a great number of artists employed in this very curious work of marquetry, representing figures with gems and different kinds of coloured marble, for the use of the emperor. The Italians call it pietre commesse, a sort of inlaying with stones, analogous to the fineering of cabinets in wood. It is peculiar to Florence, and seems to be still more curious than the Mosaic work, which the Romans have brought to great perfection.

The cathedral of Florence is a great Gothic building, encrusted on the outside with marble; it is remarkable for nothing but its cupola, which is said to have been copied by the architect of St. Peter's at Rome, and for its size, which is much greater than that of any other church in Christendom.

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