Travels Through France And Italy By Tobias Smollett
































































































 -  The subjects are 
taken from the Bible. Though the manner is dry, the drawing 
incorrect, the design generally lame, and - Page 98
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The Subjects Are Taken From The Bible.

Though the manner is dry, the drawing incorrect, the design generally lame, and the colouring unnatural; yet there is merit in the expression:

And the whole remains as a curious monument of the efforts made by this noble art immediately after her revival. [The History of Job by Giotto is much admired.] Here are some deceptions in perspective equally ingenious and pleasing; particularly the figures of certain animals, which exhibit exactly the same appearance, from whatever different points of view they are seen. One division of the burying-ground consists of a particular compost, which in nine days consumes the dead bodies to the bones: in all probability, it is no other than common earth mixed with quick-lime. At one corner of the corridore, there are the pictures of three bodies represented in the three different stages of putrefaction which they undergo when laid in this composition. At the end of the three first days, the body is bloated and swelled, and the features are enlarged and distorted to such a degree, as fills the spectator with horror. At the sixth day, the swelling is subsided, and all the muscular flesh hangs loosened from the bones: at the ninth, nothing but the skeleton remains. There is a small neat chapel at one end of the Campo Santo, with some tombs, on one of which is a beautiful bust by Buona Roti. [Here is a sumptuous cenotaph erected by Pope Gregory XIII. to the memory of his brother Giovanni Buoncampagni. It is called the Monumentum Gregorianum, of a violet-coloured marble from Scravezza in this neighbourhood, adorned with a couple of columns of Touchstone, and two beautiful spherical plates of Alabaster.] At the other end of the corridore, there is a range of antient sepulchral stones ornamented with basso-relievo brought hither from different parts by the Pisan Fleets in the course of their expeditions. I was struck with the figure of a woman lying dead on a tomb-stone, covered with a piece of thin drapery, so delicately cut as to shew all the flexures of the attitude, and even all the swellings and sinuosities of the muscles. Instead of stone, it looks like a sheet of wet linen. [One of these antiquities representing the Hunting of Meleager was converted into a coffin for the Countess Beatrice, mother of the famous Countess Mathilda; it is now fixed to the outside of the church wall just by one of the doors, and is a very elegant piece of sculpture. Near the same place is a fine pillar of Porphyry supporting the figure of a Lion, and a kind of urn which seems to be a Sarcophagus, though an inscription round the Base declares it is a Talentum in which the antient Pisans measured the Census or Tax which they payed to Augustus: but in what metal or specie this Census was payed we are left to divine. There are likewise in the Campo Santo two antique Latin edicts of the Pisan Senate injoining the citizens to go into mourning for the Death of Caius and Lucius Caesar the Sons of Agrippa, and heirs declared of the Emperor. Fronting this Cemetery, on the other side of the Piazza of the Dome, is a large, elegant Hospital in which the sick are conveniently and comfortably lodged, entertained, and attended.]

For four zechines I hired a return-coach and four from Pisa to Florence. This road, which lies along the Arno, is very good; and the country is delightful, variegated with hill and vale, wood and water, meadows and corn-fields, planted and inclosed like the counties of Middlesex and Hampshire; with this difference, however, that all the trees in this tract were covered with vines, and the ripe clusters black and white, hung down from every bough in a most luxuriant and romantic abundance. The vines in this country are not planted in rows, and propped with sticks, as in France and the county of Nice, but twine around the hedge- row trees, which they almost quite cover with their foliage and fruit. The branches of the vine are extended from tree to tree, exhibiting beautiful festoons of real leaves, tendrils, and swelling clusters a foot long. By this oeconomy the ground of the inclosure is spared for corn, grass, or any other production. The trees commonly planted for the purpose of sustaining the vines, are maple, elm, and aller, with which last the banks of the Arno abound. [It would have been still more for the advantage of the Country and the Prospect, if instead of these they had planted fruit trees for the purpose.] This river, which is very inconsiderable with respect to the quantity of water, would be a charming pastoral stream, if it was transparent; but it is always muddy and discoloured. About ten or a dozen miles below Florence, there are some marble quarries on the side of it, from whence the blocks are conveyed in boats, when there is water enough in the river to float them, that is after heavy rains, or the melting of the snow upon the mountains of Umbria, being part of the Apennines, from whence it takes its rise.

Florence is a noble city, that still retains all the marks of a majestic capital, such as piazzas, palaces, fountains, bridges, statues, and arcades. I need not te11 you that the churches here are magnificent, and adorned not only with pillars of oriental granite, porphyry, Jasper, verde antico, and other precious stones; but also with capital pieces of painting by the most eminent masters. Several of these churches, however, stand without fronts, for want of money to complete the plans. It may also appear superfluous to mention my having viewed the famous gallery of antiquities, the chapel of St. Lorenzo, the palace of Pitti, the cathedral, the baptisterium, Ponte de Trinita, with its statues, the triumphal arch, and every thing which is commonly visited in this metropolis.

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