Sunny Memories Of Foreign Lands - Volume 2 - By Harriet Beecher Stowe




































































































 -  They make us realize that we were not only made to commune
with God, but also what a God he - Page 116
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They Make Us Realize That We Were Not Only Made To Commune With God, But Also What A God He Is With Whom We May Commune.

We talk of poetry, we talk of painting, we go to the ends of the earth to see the artists and great men of this world; but what a poet, what an artist is God!

Truly said Michael Angelo, "The true painting is only a copy of the divine perfections - a shadow of his pencil."

I was sitting on a mossy trunk of an old pine, looking up admiringly on the wonderful heights around me - crystal peaks sparkling over dark pine trees - shadowy, airy distances of mountain heights, rising crystalline amid many-colored masses of cloud; while, looking out over my head from green hollows, I saw the small cottages, so tiny, in their airy distance, that they seemed scarcely bigger than a squirrel's nut, which he might have dropped in his passage. A pretty Savoyard girl, I should think about fifteen years old, came up to me.

"Madame admires the mountains," she said.

I assented.

"Yes," she added, "strangers always admire our mountains."

"And don't you admire them?" said I, looking, I suppose, rather amused into her bright eyes.

"No," she said, laughing. "Strangers come from hundreds of miles to see them all the time; but we peasants don't care for them, no more than the dust of the road."

I could but half believe the bright little puss when she said so; but there was a lumpish, soggy fellow accompanying her, whose nature appeared to be sufficiently unleavened to make almost any thing credible in the line of stupidity. In fact, it is one of the greatest drawbacks to the pleasure with which one travels through this beautiful country, to see what kind of human beings inhabit it. Here in the Alps, heaven above and earth beneath, tree, rock, water, light and shadow, every form, and agent, and power of nature, seem to be exerting themselves to produce a constant and changing poem and romance; every thing is grand, noble, free, and yet beautiful: in all these regions there is nothing so repulsive as a human dwelling.

A little further on we stopped at a village to refresh the horses. The _auberge_ where we stopped was built like a great barn, with an earth floor, desolate and comfortless. The people looked poor and ground down, as if they had not a thought above the coarsest animal wants. The dirty children, with their hair tangled beyond all hope of combing, had the begging whine, and the trick of raising their hands for money, when one looked at them, which is universal in the Catholic parts of Switzerland. Indeed, all the way from the Sardinian frontier we had been dogged by beggars continually. Parents seemed to look upon their children as valuable only for this purpose; the very baby in arms is taught to make a pitiful little whine, and put out its fat hand, if your eye rests on it.

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