Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 162 of 244 - First - Home

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Before All Else It Requires The Utmost Certainty In Intonation, Which Can Only Be Attained By Practicing The Parts Singly (Especially The Middle Parts, Second Tenor And First Bass) - And Then, Above All, Religious Absorption, Meditation, Expansion, Ecstasy, Shadow, Light, Soaring - In A Word, Catholic Devotion And Inspiration.

The "Credo," as if built on a rock, should sound as steadfast as the dogma itself; a mystic and

Ecstatic joy should pervade the "Sanctus;" the "Agnus Dei" (as well as the "Miserere" in the "Gloria") should be accentuated, in a tender and deeply elegiac manner, by the most fervent sympathy with the Passion of Christ; and the "Dona nobis pacem," expressive of reconciliation and full of faith, should float away like sweet-smelling incense. The Church composer is both preacher and priest, and what the word fails to bring to our powers of perception the tone makes winged and clear.

You know all this at least as well as I do, and I must apologize for repeating it to you. If the extent of the chorus allows of it, it might perhaps be desirable to add a few more wind instruments (clarinets, bassoon, horns, indeed even a couple of trombones) to support the voices more. If you think so too, please send me a line to say so, and I will at once send you a small score of the wind instruments. [Herbeck himself undertook, at Liszt's desire (which, as he wrote, filled him with joy and pride), to write the instrumental accompaniment to the Mass.] You shall have the vocal parts from Jena immediately. For today accept once more my best thanks, together with the assurance of the highest esteem of

Yours ever,

F. Liszt

174. To Professor Franz Gotze in Leipzig

[The celebrated singer in Leipzig (1814-88); was a pupil of Spohr's, and was first violinist in the Weimar Hofcapelle, then went on to the stage, and both as a lyric tenor and as a singer of Lieder was incomparable. He was the first who publicly went in for Liszt's songs, in which his pupils imitated him.]

Dear Friend,

In consequence of an invitation of the directors, I shall have the honor of having several of my works performed at the concert on the 26th February for the Orchestral Pension Fund in Leipzig, and very much wish that you would do me the kindness to sing two of my songs ("Kling leise, mein Lied" and "Englein du mit blondem Haar"), and to rejoice the public with your ardent and beautifully artistic rendering of these little things.

Fraulein Riese is so good as to bring you the new edition of my six first songs (amongst which is the "Englein" in A major) - a couple more numbers will shortly follow.

Grant me my request, dear friend, and rest assured beforehand of the best thanks, with which I remain,

Yours in most sincere friendship, F. Liszt

Weymar, February 1st, 1857

175. To Dionys Pruckner in Vienna

Weymar, February 11th, 1857

From all sides, dearest Dionysius, I hear the best and most brilliant accounts of you.

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