[Autograph in the possession of Herr Hermann Scholtz,
Kammervirtuoso in Dresden.]
I thank you much, gentlemen, for the obliging letter that you
have written me. Up to the present time I have had none but the
most pleasant business relations with Mr. Hofmeister, who has the
kindness to publish the greater part of my works in Germany. As I
do not know very much of the laws which regulate literary and
musical proprietorship in Saxony, I had spoken to him about the
Beethoven Symphonies, of which I have undertaken the arrangement,
or, more correctly speaking, the pianoforte score. To tell the
truth, this work has, nevertheless, cost me some trouble; whether
I am right or wrong, I think it sufficiently different from, not
to say superior to, those of the same kind which have hitherto
appeared. The recent publication of the same Symphonies, arranged
by Mr. Kalkbrenner, makes me anxious that mine should not remain
any longer in a portfolio. I intend also to finger them
carefully, which, in addition to the indication of the different
instruments (which is important in this kind of work), will most
certainly make this edition much more complete. If, then, as I
imagine, it is impossible for Mr. Hofmeister to publish them, I
shall be very grateful if you will undertake it. The reputation
of your house is European, and I perfectly remember having had
the pleasure of seeing Mr. Raymond Hartel in Paris. It will be a
pleasure to me to conclude this little business with you, at the
rate of eight francs a page. Up to the present time I have only
finished three Symphonies (that in A major), but I could promise
to let you have the others successively, according as you might
wish, or I could limit my work to the four most important
Symphonies (if I may express my opinion), namely, the Pastoral, C
minor, A major, and the Eroica. I think those are the ones which
are most effective on the piano.
I start tomorrow for Vienna, where I expect to remain till the
end of April. Please address to me to the care of Mr. Tobias
Haslinger till the 25th of April, and after that to Mr. Ricordi,
Milan, who has undertaken to forward me all my letters while I am
in Italy. My compliments and affectionate thanks.
F. Liszt
13. To Robert Schumann
[Addressed to the celebrated German Tone-poet (1810-1856). Liszt
had spoken of Schumann's Op. 5, 11, and 14 in the Gazette
Musicale, 1837, with equal enthusiasm and understanding, which
soon brought the two together.]
[Without a date; received by R. S. May 5th, 1838.]
My dear Monsieur Schumann,
I shall not attempt to tell you how grateful and touched I am by
your friendly letter. Mademoiselle Wieck, whom I have been so
happy as to meet here, will express to you, better than I can,
all the sympathy, all the admiring affection I have for you.
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