Your surmise that I could not go away from Weymar at present was
quite correct. The Altenburg is indeed very deserted, as Princess
Marie went away directly after her marriage on the 15th October,
and the Princess went to Paris yesterday for several days - yet I
will not leave my own hearth so soon, even if my outward activity
be much limited henceforth (as I have already intimated to you)
both here and elsewhere. - I require my whole time for my further
works, which must go on incessantly - consequently I have resolved
to keep at a distance all the delights of conductorship, and to
give the baton a rest equally with the piano. -
On the 9th November the festival play by Halm, "A Hundred Years
Ago," will be given here with the music I have composed to it -
and on the 11th the "Kuenstler-Chor" is to introduce the
Festival-oration by Kuno Fischer at Jena. Damrosch writes to me
also from Berlin that he intends to include the "Kuenstler-Chor"
in the programme of the Schiller Festival there. The Zwickau
Concert is fixed for the 15th November - and I am delighted to
think of meeting the Ritters there. By the way, I am of opinion
that Sasch [Sasch, i.e., Alexander, Ritter's Christian name] will
undertake two numbers of the programme, and will fulfill
Klitzsch's wish with the "Chaconne" as well as mine with the
original Concerto, on the same evening. Zwickau chances to belong
to the few towns where the "Chaconne" (so Klitzsch writes me
word) has never been heard in public. Sasch can take this fact
into consideration, and without doing anything derogatory can
grant the public the enjoyment of the "Chaconne." The assured
success which he will have with it may also act beneficially on
the receptiveness of the audience in connection with his
Concerto. Tell our dear friend this, with the proviso that, if he
only undertakes one number on the programme, I advise him in any
case to choose his Concerto. The piece has much that is
interesting and effective in itself, and it will be useful to
Sasch to test the relation of the orchestra to the solo part by a
public production. If necessary, therefore, force him to do it,
by my order.
With regard to the causes and excuses for your pretended
"obstinacy, dogmatism," and imaginary "arrogance," I beg you,
dearest friend, to rest assured that you will never find any such
suspicion in me. What you think, feel, compose, is noble and
great - therefore I take a sympathetic interest in it. - The next
time we are together I will merely endeavour to make "amputation"
more bearable to you by chloroform! -
With highest esteem I remain,
Yours in all friendship,
F. Liszt
[Weimar,] October 20th, 1859
222. To Heinrich Porges in Prague.
Dear Friend,
Your letter for the 22nd October gave me heartfelt pleasure, and
you need not be in doubt as to the correctness of the
affectionate and deep perception of my endeavour, which "has
proceeded both from man's need of freedom as well as of love,"
and which, by and with the grace of God, has been impelled to
raise itself toward the "Divine." - I cannot say much on this
subject; but may my works only remain no dumb witnesses, and may
your intimate understanding of them give you some satisfaction.
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