Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 232 of 244 - First - Home

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Of Course Engraving Is Always The Best, But I Do Not Want To Precipitate You Into A Too Ruinous Outlay - And If The Copying Is Done By An Experienced Copyist It Looks Very Well, And Is Quite Easy To Read.

I am writing to Schuberth by the next post to tell him (what he might know without that) how unwillingly and how seldom I meddle with dedications - especially dedications to people and societies that I don't at all know, as he would like me to do!

In the somewhat numerous works of mine that have appeared of late years you will find very few dedications. The twelve Symphonic Poems have none. The Gran Mass is also without one - and in the Songs I have left out the earlier dedications. Therefore, before I try in America a method which I have almost given up in Europe, some time may yet elapse. Schuberth means thoroughly well by me, for which I am obliged to him - but he means well in his own way, which cannot always be mine.

May I beg another little favor of you? At the Court concert on the 1st January I should like to let the Reiter-Marsch of F. Schubert (not Julius!), which I instrumented, be performed, and I have no longer either the score or the parts. You would lay me under an obligation if you could quickly send them to me. I have never heard the piece; and as it has already been given with success in Vienna and Leipzig I may almost venture to expect that the company here may be bold enough to go half-way in the same direction! -

Possibly I shall also attempt the Mephisto Waltz the same evening, as well as a couple of my orchestrated songs. (I may mention, by the way, that I have orchestrated six songs of Schubert's - "the Erlkonig, Gretchen, the junge Nonne, the Doppelganger, Mignon, and Abschied" - and three of my own - "Loreley, Mignon, and the three Zigeuner." Later on, if a weak moment should come over you, I should be glad to impose these three latter upon you in score - but you shall hear them first.)

A thousand apologies for all this random talk about compositions, and best greetings from yours in all friendliness,

F. Liszt

Weymar, December 19th, 1860

249. To Dr. Franz Brendel

Dear Friend,

Your article "For the New Year" is most capital and worthy of you. In three places I would merely venture to propose some slight alterations for your consideration. You will find them marked + and with the letters A, B, C.

At + A it would suit things better to say as follows: "Concert- rooms and theaters, the scene of the most palpable speculation, personal passion, and severing struggles." Or, if you think the word "most palpable" too strong, let us put another, such as "the commonest" or "the most mercantile speculation," etc.

+ B, instead of opinion, "the most affected assumption" Here there is more question of assumption than of opinion.

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