Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 234 of 244 - First - Home

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On The Other Hand I Am Expecting Something Great, Beautiful, And Magical From The Symphonic Form Into Which You Will Shape This Story - A Story Which Just As Easily Becomes Dry And Tedious As, On The Other Hand, It Can Be Melting.

Take care that we bring your work to a hearing at the next Tonkunstler-Versammlung (in July-August) here.

O. Singer's "Entschwandenes Ideal" ["Vanished Ideal"] is full of music; noble in conception and powerfully worked out. I shall write to him shortly about it, and send him my seventh book of songs, as you told me that he rather liked the earlier ones. -

An excellent little work by our friend Weitzmann lies before us again: "The New Science of Harmony at Variance with the Old." The "Album Leaves for the Emancipation of Fifths" as a supplement are stirring; and the "Anthology of Classical Following Fifths," with quotations from Hiller and Hauptmann,. is especially instructive. In Harmony, as in other things, it is no longer a question of reforming what has been laid aside, but rather of the fulfilling of the law. - - -

On any day, my dear friend, you will be heartily welcome to

Yours very gratefully,

F. Liszt

December 30th, 1860

Towards the middle of January I am going to Paris or a couple of weeks to see my mother (who is still constantly ill).

251. To Dr. Franz Brendel.

[Beginning of January, 1861]

Dear Friend,

A thousand thanks for your letter, and still more excuses that I have delayed so long with my answer. On New Year's Day we had a grand Court-concert - on the top of which there was a banquet at the Erbprinz, which lasted till four o'clock in the morning; on the other days perpetual dinners and suppers, at which I was also obliged to be present. Besides all this, the final revision of my second concerto (and a couple of smaller piano pieces) occupied me much. Schott had undertaken the publication of them, and I did not wish to annoy him by letting the somewhat numerous alterations which had to be made in them wait to be corrected until the proofs were printed, etc., etc.

From all the transitions and connection of the movements (which I am now most carefully working out in the Concerto), I pass at once without transition to the answering of your questions.

1. I think Bronsart's engagement for next year at four hundred thalers is advisable.

2. If Weissheimer has really made himself impossible, Damrosch should be the next one to be thought of, as a colleague of Bronsart. There is no hurry about this affair, and we will talk over it again viva voce.

3. The remaining four hundred thalers for X. I will send you at the end of this month. If you should require them sooner write me a couple of lines.

4. The question of leave of absence is not easy to decide, so long as no definite date is fixed for the concert.

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