By The Same Post I Send You, With Best And Warmest Thanks For
Your Friendly Letter, The Volume Of Handel's Works Which Contains
The Anthems.
The second of them, "Zadok the Priest and Nathan the
Prophet anointed Solomon King," is a glorious ray of Handel's
genius, and one might truly quote, of the first verse of this
anthem, the well-known saying, "C'est grand comme le monde." ["It
is as great as the world."] -
The cantata "L'Allegro, il Pensieroso," etc., enchants me less,
yet it has interested me much as an important contribution to
imitative music; and, if you will kindly allow me, I want to keep
the volume here a few days longer and to send it back with the
two others.
I agree entirely, on my side, with your excellent criticism of
Raimondi's triple oratorio ["Joseph," an oratorio by the Roman
composer, consisting of three parts, which was given with great
success in the Teatro Argentina in Rome in 1852]. There is little
to seek on that road, and still less to find. The silver pfennig
(in the Dresden Art-Cabinet), on which ten Pater Noster are
engraved, has decidedly the advantage of harmlessness to the
public over such outrages to Art, and the Titus Livius, composed
by Sechter, will probably have to moulder away very
unhistorically as waste-paper. Later on Sechter can write a
Requiem for it, together with Improperias over the corruption of
the taste of the times, which have found his work so little to
their taste.
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