Let me soon hear from you how you dispose of your time in
Konigsberg. In Frau Knopp you have got an excellent Ortrude. What
have you been giving this winter? Do you keep on a good
understanding with Marpurg? Is Pabst remaining in K.?
Don't forget also to let me have your Methode (I forget the exact
title) through Hartel. Although I have grown too old and too lazy
to improve my piano-playing, yet I will get some good out of it
for my pupils, amongst whom are two or three really brave,
earnest fellows. Beyond that I have very little to tell you of
Weymar. Since Berlioz' stay here, which gave occasion for the
Litolff cudgel-smashing newspaper rubbish, Carl Formes and
Johanna Wagner have been playing here; the latter with well-
deserved and extraordinary success in Gluck's "Orpheus" and
"Iphigenia in Aulis" (in Wagner's translation and arrangement).
This evening the "Sleeping Beauty" (a fairy-tale epic), by
Joachim Raff, will be given. According to my opinion, this is
Raff's most successful and grateful work.
Farewell, dear friend, and bear in friendly remembrance
Your very sincere and obliged
F. Liszt
Weymar, May 24th, 1856
154. To Louis Kohler
My Very Dear Friend,
At last I have come out of my "Purgatory" - that is to say that I
have come to the end of my symphony to Dante's "Divina Commedia."
Yesterday I wrote the final bars of the score (which is somewhat
smaller in bulk than my "Faust" Symphony, but will take pretty
nearly an hour in performance); and today, for rest and
refreshment, I can allow myself the pleasure of giving you my
friendliest thanks for your friendly letter.
