, And by degrees,
through the results he will bring about, we again attain to
admiration (Bewunderung)."
I don't know how you will judge, critically, of this example, but
what is certain is that it appeared to be quite conclusive to our
auditory.
Ernst [The celebrated violinist (1814-65)] has just been spending
a week here, during which he has played some hundred rubbers of
whist at the "Erbprinz." His is a noble, sweet, and delicate
nature, and more than once during his stay I have caught myself
regretting you for him, and regretting him for you. Last Monday
he was good enough to play, in his usual and admirable manner, at
the concert for the Orchestral Pension Fund. The pieces he had
selected were his new "Concerto pathetique" (in F~ minor) and an
extremely piquant and brilliant "Caprice on Hungarian Melodies."
(This latter piece is dedicated to me.) The public was in a good
humor, even really warm, which is usually one of its least
faults.
Milde, who is, as you know, not much of a talker, has
nevertheless the tact to say the right thing sometimes. Thus,
when we went to see Ernst off at the railway, he expressed the
feeling of us all - "What a pity that Kroll is not here!"
For the most part you have left here the impression which you
will leave in every country - that of a man of heart, talent,
tact, and intellect. One of these qualities alone is enough to
distinguish a man from the vulgar herd; but when one is so well
born as to possess a quartet of them it is absolutely necessary
that the will, and an active will, should be added to them in
order to make them bring out their best fruits, - and this I am
sure you will not be slow to do.
Your brother came through here the day before yesterday, thinking
he should still find you here. I have given him your address, and
told him to inquire about you at Schlesinger's in Berlin, where
he expects to be on the 8th of April; so do not fail to let
Schlesinger know, in one way or another, when you get to Berlin.
As M. de Zigesar [The Intendant at Weimar.] I was obliged to
start in a great hurry for The Hague, in the suite of the
Hereditary Grand Duchess, I will wait till his return to send you
the letters for Mr. de Witzleben. I will address them to
Schlesinger early in April.
We are studying hard at the Duke of Coburg's opera "Toni, oder
die Vergellung," ["Toni, or the Requital"] which we shall give
next Saturday. The score really contains some pretty things and
which make a pleasing effect; unluckily I cannot say as much for
the libretto.
