Letters Of Franz Liszt, Volume 1,
Letters Of Franz Liszt, Volume 1, "From Paris To Rome: Years Of Travel As A Virtuoso" By Franz Liszt - Page 46 of 125 - First - Home

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It Would Be Discourteous If I Were To Leave Him Without Any Answer, And, As I Cannot Say Anything Further To Him, We Should Save Useless Circumlocution If You Would Be So Good As To Correspond With Him Direct.

Incidentally you would also save me another letter about nothing, if you would write to Lenz (on the subject of this conference).

Whilst I am talking with you, Senora Pepita Oliva is doing her favorite tricks at the theater, which are more prized and rated higher than they deserve, so I am assured. "J'aime mieux y croire qu'y aller voir." [I would rather take it for granted than go and see it.] The brothers Wieniawski have also been here some days. The violinist is a virtuoso of importance, - that is to say, in the ordinary, but not quite correct, sense of this word; for Virtuoso comes from Virtu, and should neither be so falsified nor so misapplied.

Yours very truly,

F. Liszt

April 30th, 1853.

101. To Louis Kohler

Dear Friend,

You have again given me a real pleasure by your article on the Romanesca (in the last numbers of the Signale), for which I would gladly requite you. The best way to do this would be by a performance of "Lohengrin"; unfortunately there is very little prospect of that. Still it is not impossible that between the 19th and 26th of this month there may be a performance of this one work by royal command; and, as you are already so kindly disposed towards me, and have promised me to come to Weymar, do make yourself ready, and give me the great pleasure of your company for a few days - if possible, from the 19th to the 26th of this month. The marriage festivities of Princess Amalie of Sachs- Weymar and Prince Henry of the Netherlands, which will take place then, will be the occasion of a grand court concert on the 20th, and the performance of Marx's oratorio "Moses" on the 22nd or 24th, and probably a couple of other musical performances. Joachim is also coming at the same time, and there will be no dearth of entertainment for us. Once more best thanks-and a safe journey - and a revoir - which will be a great pleasure to your very affectionate and obliged.

F. Liszt

Weymar, May 6th, 1853

102. To Louis Kohler

Dear Friend,

A safe journey - and "auf Wiedersehen" next year in Weymar at a chance performance of "Lohengrin"! There is now no probability of a Wagner performance here for a week or ten days, and probably the "Flying Dutchman" will then be chosen.

You ought to keep all my scribblings which appear henceforth. Meanwhile I send you only the score of the Weber Polonaise, in which the working-out section (pages 19, 20, 21) will perhaps amuse you.

I am writing to Wagner today that he should himself offer you a copy of the "Nibelungen." You ought to receive it soon.

You will find a little packet of Plantaja cigars in your cloak. May it help you to recall your Weymar visit, and think with warm remembrance of

Yours in all friendship,

F. Liszt

Weymar, May 24th, 1853

If you should stay some days in Berlin, ask Dorn why he has not yet sent me his score of the "Nibelungen"? Perhaps he has not had my letter in reply to his in which he mentioned that the score was coming.

When you have half an hour to spare, ask my pupil Winterberger [Composer, piano and organ virtuoso; born at Weimar 1834; was for a long time a Professor at the St. Petersburg Conservatorium; since then lives at Leipzig.] (through Schlesinger) to play you my "Prophete" Fugue on the organ. I consider this opus as one of my least bad productions - if you have not got a copy of it I will send you one on the first opportunity through Hartel.

Your box and cloak are just sent off "Station restante."

103. To Louis Kohler

"Kiraschio! Plimaschio!"

[The refrain of a journeyman's song, given by L. Kohler in his work "The Melody of Speech," in which "The cry of the natural man gives vent to itself in unbridled pleasure."]

Dear friend! Your work [The same work, "The Melody of Speech" (Leipzig, J. J. Weber, 1853).] has given me a refreshing draught to quaff, - not exactly a theoretical "cure" water, such as the people promenading past my window are constrained to take, and which, thank Heaven, I neither require nor take; but a finely seasoned, delightfully comforting May drink, - and I thank you warmly for the lively, pleasant hours I have passed with you in reading and singing your work. The objections with which the Philistines and pedants will arm themselves against you don't interest me in the least. You have certainly brought forth a fresh and exciting little book, and that is a great service not easily attained! - Be satisfied not to please the worse half of brave musicians, among which I might count myself, and write on cheerfully, regardless of shops and shopkeepers! - Specially do I give you my best thanks for the "Weymarasche Zeilen," and the very friendly quotation of my earlier songs. Later on, when I bring out a couple more numbers, I must make a somewhat remodeled edition of these earlier songs. There must, in particular, be some simplifications in the accompaniment. But that you have thought favorably and indulgently of these things, with a due regard to the inner impulse which brought them forth (in my "storm and stress" period), is very pleasant to me. The Lenau concluding song is charmingly composed - only publish some more like that, with or without comment!

I have just received a letter from Wagner for you, which he sends to me as he does not know your address. Take this opportunity of sending me your street and number; for I always address to Putzer and Heimann, which is too formal. At the beginning of July I enjoyed several Walhalla-days with Wagner, and I praise God for having created such a man.

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