[The letter written apparently to Belloni (who has already been
mentioned) was, like the present one, published by Wilhelm
Tappert, in a German translation and in an incomplete form, in
the Neue Musik-Zeitung (Cologne, Tonger) of October 1st, 1881.
The editor unfortunately could not obtain possession of it
complete and in the original. According to Tappert, a Belgian
musical paper pronounced it spurious, for reasons unknown to the
former.]
Weimar, May 14th, 1849
Dear B.,
Richard Wagner, a Dresden conductor, has been here since
yesterday. That is a man of wonderful genius, such a brain-
splitting genius indeed as beseems this country, - a new and
brilliant appearance in Art. Late events in Dresden have forced
him to a decision in the carrying out of which I am firmly
resolved to help him with all my might. When I have had a long
talk with him, you shall hear what we have devised and what must
also be thoroughly realized. In the first place we want to create
a success for a grand, heroic, enchanting musical work, the score
of which was completed a year ago. [Lohengrin.] Perhaps this
could be done in London? Chorley, [Chorley (1808-72) had
considerable influence in London as author, critic, and writer in
the Athenoeum.] for instance, might be very helpful to him in
this undertaking. If Wagner next winter could go to Paris backed
up by this success, the doors of the Opera would stand open to
him, no matter with what he might knock.
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