What I Principally Admire On The French Stage Is That The Actors Are Always
Perfect In Their Parts And All
The characters are well sustained; the
performance never flags for a moment; and I have experienced infinitely
more pleasure in
Beholding the dramas of Racine and Voltaire than those of
Shakespeare, and for this reason that, on our stage, for one good actor you
have the many who are exceedingly bad and who do not comprehend their
author: you feel consequently a hiatus valde deflendus when the principal
actor or actress are not on the stage. I have been delighted to see Kemble,
and Mrs Siddons and Miss O'Neil, and while they were on the stage I was all
eyes and ears; but the other actors were always so inferior that the
contrast was too obvious and it only served to make more conspicuous the
flagging of interest that pervades the tragedies of Shakespeare, Macbeth
alone perhaps excepted. I speak only of Shakespeare's faults as a
dramaturgus and they are rather the faults of his age than his own; for in
everything else I think him the greatest litterary genius that the world
ever produced, and I place him far above any poet, ancient or modern; yet
in allowing all this, I do not at all wonder that his dramatic pieces do
not in general please foreigners and that they are disgusted with the low
buffoonery, interruption of interest and want of arrangement that ought of
necessity to constitute a drama; for I feel the same objections myself when
reading Shakespeare, and often lose patience; but then when I come to some
sublime passage, I become wrapt up in it alone and totally forget the piece
itself.
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