After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye













































































































 -  In the chapel of the Saint himself
are a great many ornaments, among which are a crucifix in bronze and - Page 238
After Waterloo: Reminiscences Of European Travel 1815-1819, By Major W. E Frye - Page 238 of 291 - First - Home

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In The Chapel Of The Saint Himself Are A Great Many Ornaments, Among Which Are A Crucifix In Bronze And Fresques Representing The Different Actions And Miracles Of This Patron Saint Of The Padovani.

Probably as this city was founded by the Trojan Antenor they have transformed his name into that of a Christian Saint and called him St Anthony, just as Virgil has been transformed into a magician at Naples.

There is a fine view from the steeple of this immense edifice. There is another magnificent church also in this city, that of St Justine, built after the designs of Palladio, the principal ornament of which is a painting of the martyrdom of the Saint by Paul Veronese. But one of the greatest curiosities in this ancient city is the immense Saloon in the Palazzo della Giustizia. It is, I presume, the loftiest and largest hall in the world that is supported by nothing but its walls, it being three hundred feet long, one hundred feet broad and one hundred feet high. In the Saloon is the tomb of Livy, the Historian, who was a native of Padua. The inhabitants of Padua dress much in black, seem a quiet, staid sort of people, and are very industrious. I put up at the Stella d'Oro, a good inn.

VICENZA, 10th June.

I arrived at this beautiful bijou of a town on the morning of the 9th June at eight o'clock. I call it a bijou from its exceeding neatness, and the extreme beauty of the architecture of its edifices, which are almost all after the designs of Palladio, of white stone and in the Greek taste. Palladio was a native of Vicenza. The Piazza and Palazzo Pubblico perfectly correspond with the beauty of the rest of the city, and the promenades about it are tastefully laid out. But the two most striking objects in point of edifices in Vicenza and both constructed by Palladio are the covered portico and the Teatro Olimpico. The covered portico is two miles in length and leads to the chapel of the Madonna del Monte, situated on an eminence, at that distance from the city. A magnificent triumphal arch stands before it, and there is an extensive view of the surrounding country. The Teatro Olimpico is a small, but beautiful theatre, built strictly after the model of the ancient Greek theatres. It is peculiarly precious as being the only one of the kind in Europe. How admirably adapted both for seeing and hearing are such theatres! It has, for scenery, the model of a Palace, curiously carved in wood, which represents a Royal Palace, for the ancients never shifted their scenes, and this may account for their adhering so strictly to the unities. Statues and bas-reliefs adorn this beautiful little theatre. Many years ago, on particular occasions, it was the custom to act plays here, either translated from the Greek, or taken strictly from the Greek model. This theatre is esteemed Palladio's chef d'oeuvre.

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